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The main character, Gene Moore, is shown how much of his identity is wrapped up in his career and potential in that career. When he comes home from war no longer able to see himself as a baseball prospect, he isn't sure who he is. This is thoroughly reinforced every time one of his acquaintances identifies him by baseball or inquires about his status. How much of our identity and worth is wrapped up in our job title or the one we are aspiring to? ↗
#identity #jobs #rehabilitation #work #dreams
When anybody honks at me in traffic, I blush, wave, and shout, “Thanks for being a fan.” Being a celebrity is a 24/7 thing. ↗
As inexplicable as the accidents that set it off, our imagination is a crucial privilege. I've tried my whole life simply to accept the images that present themselves to me without trying to analyze them. I remember when we were shooting That Obscure Object of Desire in Seville and I suddenly found myself telling Fernando Rey, at the end of a scene, to pick up a big sack filled with tools lying on a bench, sling it over his shoulder, and walk away. The action was completely irrational, yet it seemed absolutely right to me. Still, I was worried about it, so I shot two versions of the scene: one with the sack, one without. But during the rushes the following day, the whole crew agreed that the scene was much better with the sack. Why? I can't explain it, and I don't enjoy rummaging around in the cliches of psychoanalysis. ↗
It was an obsession, it was a compulsion. "The way to banish temptation is to give into it," the saying went. Maybe if she experienced a gangbang, it wouldn't be such a big deal, and would no longer be the focus of her sexual imagination. ↗
