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The summer I was ten years old, there was a group of kids in my neighborhood who played together every night after dinner. I often watched them from my window…Every night around nine-thirty or ten, those kids would get called in one by one…I knew the first ones called were full of resentment. But they needn’t have been. Nothing ever happened after they left anyway. Things just sort of ended in a slow motion way, like petals falling off a flower. You couldn’t have people leave like that and have anything good happen afterward. Whoever was left couldn’t pay much attention to anything other than waiting for their turn to get called in. So, it wasn’t so bad to go first, to head back toward those deep yellow lights and beds made up with summer linens. It was much better than being last, when you would be left standing there alone, finally going in without anybody calling you. ↗
He knows that there will be days ahead, long, tedious days which have no real beginning or ending, but which run together into night and out of it without changing color, or sound, or meaning. He will lie in his bed feeling the minutes and the hours pass through his body like an endless ribbon of pain because time becomes pain then. Light and darkness become pain; all his senses exist only to receive it, to transmit to his mind again and again, with ceaseless repetition, the simple fact that now he is dying. ↗
My mother's death changed the alchemy of food. Holidays run together now like ungrooved rivers. I forget what they are for. I buy bakery goods. They look dead under the blue lights. I don't do anything the way she taught me but I get fat. I don't look like her and I don't sound like her, but I stand like her. ↗
A citizen at his home in Rockford, Illinois, or Boulder, Colorado, could read a newspaper, listen to a radio, or watch the round-the-clock coverage on television, but he had no way of connecting with those who shared his views. Nor was there a quick, readily available tool for an ordinary citizen to gather information on his own. In 1960, communication was a one-way street, and information was fundamentally inaccessible. The whole idea of summoning up data or reaching thousands of individuals with the touch of a finger was a science-fiction fantasy. ↗
If the mystery can be reduced to one solution, it lies in a simple coincidence: Rimbaud's interest in his own work had survived the realization that the world would not be changed by verbal innovation. It did not survive the failure of all his adult relationships. He had always treated poems as a form of private communication. He gave his songs to chansonniers, his satires to satirists. Without a constant companion, he was writing in a void. ↗
Christopher couldn't recall what day it was; he certainly didn't know what hour it was. It was a gray day, but there was no dullness in that gray. It was shimmering pearl-gray, of a color bounced back by shimmering water and shimmering air. It was a crimson-edged day, like a gray squirrel shot and bleeding redly from the inside and around the edges. Yes, there was the pleasant touch of death on things, gushing death and gushing life. ↗
Change is happening and old structures are falling in the form of a "Death of a Thousand Cuts." In other words one grand act is not occuring but a multitude of small expressions on the part of individuals, both slowly and swiftly taking the place of heirarchy and history. ↗
Galadir drew his sword, pointing it at the throat of the mother. «Be quiet! Never! It's just one, the Goddess whom I have entrusted my life: the Queen of the Underworld. And no one else.» Mewar drew a sweet smile and enigmatic. «Oh, no, my loving son, you're wrong. You've been promised, and this can not be changed. You will become one servant of the Goddess that I chose for you. And you can not do anything, if you do not subject yourself to her will - and now every God wants the same thing: the death of the Maid of Flames.» ↗
