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Read through the most famous quotes by topic #classic
The natural mates of men were the Meliads[Ash Nymphs], who were Demi-Goddesses, & the Goddesses.Whilst it was believed that women could mate with animals & produce offspring, as Pasiphae did with a bull & begot the Minotaur & Theophane did with Poseidon in the form of a ram, & begot the Ram with the Golden Fleece. And thus, women were part-animals,further proven by the fact that Helen, considered the most beautiful of them all,was hatched from an egg. And since women were playthings,daughters were given away as gifts, prizes & bribes. And it was considered good form to take women by force, as plunder or booty, or as spoils of war & to sell them as slaves for profit.[INTRO] ↗
After my grandfather's plane took enemy fire, he was denied permission to land at the first available airstrip. In that classic British bureaucratic way, they said he had to go back to your own airbase in the Midlands. They crashed between the coast and the airfield. ↗
They had no conversation together, no intercourse but what the commonest civility required. Once so much to each other! Now nothing! There had been a time, when of all the large party now filling the drawing-room at Uppercross, they would have found it most difficult to cease to speak to one another. With the exception, perhaps, of Admiral and Mrs. Croft, who seemed particularly attached and happy, (Anne could allow no other exception even among the married couples) there could have been no two hearts so open, no tastes so simliar, no feelings so in unison, no countenances so beloved. Now they were as strangers; nay, worse than strangers, for they could never become aquainted. It was a perpetual estrangement. ↗
Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice. ↗
