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Therefore, it is believed that the ancestors return after a lapse of tiem as if to a general and spiritual reservoir from which they will sooner or later unite once more with human bodies and human souls as their stimuli and impulses to life. ... Such is more or less the idea of Confucianism. And the only exception is that all human beings are not viewed as equally immortal. Whoever has harmonized his nature and caused his existence to be so effective as to emanate magical powers because they can transform and act creatively, such a person will not return after death. He will not be a Kuei, but a Shen. Shen means someone divinely effective -- man as hero, who is connected with the entire cultural complex. The duration of the culture is also his duration, because his life endures in the pantheon of this culture. ↗
It all seemed so impossible, so difficult after searching for her, not knowing for so long. How many times had his daughter suffered some human sickness, death or heartache over the course of her many lifetimes? How many times had she loved, cried and been without her father when she most needed him most? ↗
In His free grace, God is for man in every respect; He surrounds man from all sides. He is man's Lord who is before him, above him, after him, and thence also with him in history, the locus of man's existence. Despite man's insignificance, God is with him as his Creator who intended and made mankind to be very good. Despite man's sin, God is with him, the One who was in Jesus Christ reconciling the world, drawing man unto Himself in merciful judgment. Man's evil past is not merely crossed out because of its irrelevancy. Rather, it is in the good care of God. Despite man's life in the flesh, corrupt and ephemeral, God is with him. The victor in Christ is here and now present through His Spirit, man's strength, companion, and comfort. Despite man's death God is with him, meeting him as redeemer and perfecter at the threshold of the future to show him the totality of existence in the true light in which the eyes of God beheld it from the beginning and will behold it evermore. In what He is for man and does for man, God ushers in the history leading to the ultimate salvation of man. ↗
It’s not that we have to leave this life one day, it's how many things we have to leave all at once: holding hands, hotel rooms, wine, summertime, drunkenness, and the physics of falling leaves, clothing, myrrh, perfumed hair, flirting friends, two strangers' glance; the reflection of the moon, with words like, 'Soon' ... 'do you want me?' ... '...to lie enlaced' ... 'and sleep entwined' thinking ahead, with thoughts behind...?' Ô, Why! Why can’t we leave this life slowly? ↗
#dying #living #losing-a-friend #love #moon
Eiffel Tower" To Robert Delaunay Eiffel Tower Guitar of the sky Your wireless telegraphy Attracts words As a rosebush the bees During the night The Seine no longer flows Telescope or bugle EIFFEL TOWER And it's a hive of words Or an inkwell of honey At the bottom of dawn A spider with barbed-wire legs Was making its web of clouds My little boy To climb the Eiffel Tower You climb on a song Do re mi fa sol la ti do We are up on top A bird sings in the telegraph antennae It's the wind Of Europe The electric wind Over there The hats fly away They have wings but they don't sing Jacqueline Daughter of France What do you see up there The Seine is asleep Under the shadow of its bridges I see the Earth turning And I blow my bugle Toward all the seas On the path Of your perfume All the bees and the words go their way On the four horizons Who has not heard this song I AM THE QUEEN OF THE DAWN OF THE POLES I AM THE COMPASS THE ROSE OF THE WINDS THAT FADES EVERY FALL AND ALL FULL OF SNOW I DIE FROM THE DEATH OF THAT ROSE IN MY HEAD A BIRD SINGS ALL YEAR LONG That's the way the Tower spoke to me one day Eiffel Tower Aviary of the world Sing Sing Chimes of Paris The giant hanging in the midst of the void Is the poster of France The day of Victory You will tell it to the stars ↗
What we have here is a war—the war of matter and spirit. In the classical era, spirit was in harmony with matter. Matter used to condense spirit. What was unseen—the ghost of Hamlet’s father—was seen—in the conscience of the king. The spirit was trapped in the matter of theater. The theater made the unseen, seen. In the Romantic era, spirit overwhelms matter. The glass of champagne can’t contain the bubbles. But never in the history of humanity has spirit been at war with matter. And that is what we have today. The war of banks and religion. It’s what I wrote in Prayers of the Dawn, that in New York City, banks tower over cathedrals. Banks are the temples of America. This is a holy war. Our economy is our religion. When I came back to midtown a week after the attack—I mourned—but not in a personal way—it was a cosmic mourning—something that I could not specify because I didn’t know any of the dead. I felt grief without knowing its origin. Maybe it was the grief of being an immigrant and of not having roots. Not being able to participate in the whole affair as a family member but as a foreigner, as a stranger—estranged in myself and confused—I saw the windows of Bergdorf and Saks—what a theater of the unexpected—my mother would have cried—there were only black curtains, black drapes—showing the mourning of the stores—no mannequins, just veils—black veils. When the mannequins appeared again weeks later—none of them had blond hair. I don’t know if it was because of the mourning rituals or whether the mannequins were afraid to be blond—targets of terrorists. Even they didn’t want to look American. They were out of fashion after the Twin Towers fell. To the point, that even though I had just dyed my hair blond because I was writing Hamlet and Hamlet is blond, I went back to my coiffeur immediately and told him—dye my hair black. It was a matter of life and death, why look like an American. When naturally I look like an Arab and walk like an Egyptian. ↗
#arabs #fear #holy-war #humor #september-
It was a lesson she was still learning. When she had first started nursing, she had taken every death personally, like she was losing her father all over again. Every patient lost under her care was a little piece of death she would carry around with her until the end of her own life. But the alternative seemed so unfeeling. Tina and the other nurses could crack jokes and banter back and forth about contestants on American Idol before the body of a deceased patient was even cold. It was a coping mechanism, she knew, but not necessarily one she thought she would ever adopt. There had to be something in between. Olive had been called a bleeding heart before, but her heart no longer had the same plasticity and tenderness—it was scarred and worn beyond repair ↗
[last lines] Susie Salmon: [voiceover] When my mother came to my room, I realized that all this time, I'd been waiting for her. I had been waiting so long, I was afraid she wouldn't come. Abigail Salmon: [whispering] I love you, Susie. Susie Salmon: [voiceover] Nobody notices when we leave. I mean, the moment when we really choose to go. At best you might feel a whisper, or the wave of a whisper, undulating down. My name is Salmon, like the fish. First name: Susie. I was 14 years old, when I was murdered, on December 6, 1973. I was here for a moment. And then I was gone. I wish you all a long and happy life. ↗
He was a strong and noble lord with piercing eyes of grey. He sat upon his noble throne shining like the dawn. His sword flashed like the brightest star. He led our people well. Yet here and now he lays in blood pierced with arrows. He was the friend of many knights. He loved the warrior games. His heart was won by a lady fair for marriage they did wait. A kindly prince, his duty carried him to another's bed. And on her death true love returned, finally they wed. He felt the grief of children lost to murder and to pain. I was the youngest of his blood. I'll never be the same. Here lays my father and my lord. I know not what to say. Except my father and my lord was slain here on this day. Here lays my father and my lord. I know not what to say. Except my father and my lord was slain here on this day…. ↗
Suddenly the lights of the Universe seemed to be turned down. As if some demon had rubbed the heaven's face with a dirty sponge, the splendour in which they had lived for so long blenched to a pallid, cheerless and pitiable grey. It was impossible from where they sat to open the shutters or roll back the heavy blind. What had been a chariot gliding in the fields of heaven became a dark steel box dimly lighted by a slit of window, and falling. They were falling out of the heaven, into a world. Nothing in all his adventures bit so deeply into Ransom's mind as this. He wondered how he could ever have thought of planets, even of the Earth, as islands of life and reality floating in a deadly void. Now, with a certainty which never after deserted him, he saw the planets - the 'earths' he called them in his thought - as mere holes or gaps in the living heaven - excluded and rejected wastes of heavy matter and murky air, formed not by addition to, but by subtraction from, the surrounding brightness. And yet, he thought, beyond the solar system the brightness ends. Is that the real void, the real death? Unless ... he groped for the idea ... unless visible light is also a hole or gap, a mere diminution of something else. Something that is to bright unchanging heaven as heaven is to the dark, heavy earths.... ↗
