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Read through the most famous quotes by topic #ego
Nay," she said stubbornly. "I have just been told that the only chance I have for freedom is in your hands and by all that is holy, you will deliver me my freedom or I shall see to it that you live out the rest of your life in merciless misery." He gaped at her. On any other man such an expression would have looked foolish, but to credit Lord Stryder, even when taken by surprise, he still managed to carry off an air of supreme authority and handsomeness. "I beg your pardon? Have you gone completely mad?" "Not I, but rather the king you love so well. It appears he would see us marry." "My hairy arse." She gave him a droll stare. "That is much more information about your person, Lord Stryder, than I care to know. ↗
His eyes defiant and smoldering, Braden held his sword aimed at the MacDouglas’s throat. “To get to her, you’ll have to come through me.” “You want to die for her?” Robby asked. “Aye,” Braden said without hesitation. He glanced at her and for the first time she saw the love in his eyes. “I will die for her. ↗
I, like balloon animal hacks everywhere, can only make one animal so far. It is a LEGO version of the Island of Dr. Moreau, wherein I have brick-engineered a pig-camel, a dog-camel, and a camel with wheels. These monstrosities are quickly torn apart, and I wonder if I have some unresolved camel issues. ↗
We mistakenly assume that bodily survival has a higher precedence than ego survival. This is simply not generally true. Ego will happily destroy the body for its own sake. Look at overweight executives headed for heart attacks on the way to getting their pictures in Fortune or anorexic models suffering slow starvation on their way to getting their pictures in Vogue. Protecting ego is the general case. ↗
This philistinism of interpretation is more rife in literature than in any other art. For decades now, literary critics have understood it to be their task to translate the elements of the poem or play or novel or story into something else. Sometimes a writer will be so uneasy before the naked power of his art that he will install within the work itself - albeit with a little shyness, a touch of the good taste of irony - the clear and explicit interpretation of it. Thomas Mann is an example of such an overcooperative author. In the case of more stubborn authors, the critic is only too happy to perform the job. ↗