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The presence of a noble nature, generous in its wishes, ardent in its charity, changes the lights for us: we begin to see things again in their larger, quieter masses, and to believe that we too can be seen and judged in the wholeness of our character. ↗
No one was ever good enough for anybody's precious sons. No one ever called daughters precious, and why was that? Things had not changed very much. In the end women like Emily and Ingrid and Freya and Joanna only had one another to lean on. The men were wonderful when they were around, but their fires burned too bright, they lived too close to the sun - look what happened to her boy, and to her man. Gone. Women only had one another in the end. ↗
You get towards the end of life - no, not life itself, but of something else: the end of any likelihood of change in that life. You are allowed a long moment of pause, time enough to ask the question: what else have I done wrong? ↗
The suite was set: Chris and I in the left, back room; Tom and Ricky in the left, front room; Junior and Danny Tampon in the back, right room next to the bathroom; and Dickstein all by his peanut-dick-self in the front, right room. It was quite a radical change from the suite that surrounded me, Chris, and Tom the previous year. Just getting rid of Lebeuf was addition by subtraction. The Beachside Dorm, Suite 524, would be one of the happiest places in my two-decade life. Freedom of expression was never diminished, unless Dickstein opened his mouth and shit flew out of it. ↗
I mean that everything this afternoon has been too beautiful, and that perhaps everything together will never be so right again. I'm very glad therefore you've been a part of it. ↗
