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Read through the most famous quotes by topic #epic
Craftsman Ilmarinen wept Every evening for his woman, Weeping sleepless through the nights And fasting through the days; In the early hours complaining, Every morning sighing for her, Lamenting for his lovely lost one, For his dear one in the grave. For a month he swung no hammer, Did not touch the copper handle, and the clinking forge was silent. Said the craftsman Ilmarinen: "I poor fellow, do not know How to live or how survive; Sitting up or lying down Nights are long and time is tedious. I am troubled, low in spirit. 'Lonely are the nights now,lonely And the mornings dreary, dreary. In my sleeping I am troubled, But the waking is the saddest. It's not for evening that I'm lonely, Not for morning that I'm dreary, Not for olden times lamenting, But I'm lonely for my loved one, Dreary for the missing of her, Lamenting for my dark-browed lovely. 'Often in these days it happens, Happens in my midnight dreaming that I stretch my hand out touching, touching something that is nothing... ↗
Your primary presumption that The Bridge was proffered as an epic has no substantial foundation. You know quite well that I doubt that our present stage of cultural development is so ordered yet as to provide the means or method for such an organic manifestation as that. ↗
And once upon a time I wondered: Is writing epic fantasy not somehow a betrayal? Did I not somehow do a disservice to my own reality by paying so much attention to the power fantasies of disenchanted white men? But. Epic fantasy is not merely what Tolkien made it. This genre is rooted in the epic — and the truth is that there are plenty of epics out there which feature people like me. Sundiata’s badass mother. Dihya, warrior queen of the Amazighs. The Rain Queens. The Mino Warriors. Hatshepsut’s reign. Everything Harriet Tubman ever did. And more, so much more, just within the African components of my heritage. I haven’t even begun to explore the non-African stuff. So given all these myths, all these examinations of the possible… how can I not imagine more? How can I not envision an epic set somewhere other than medieval England, about someone other than an awkward white boy? How can I not use every building-block of my history and heritage and imagination when I make shit up? And how dare I disrespect that history, profane all my ancestors’ suffering and struggles, by giving up the freedom to imagine that they’ve won for me. ↗
There was love, a reliable and real love grown in a handful of days, and Tristan did not know why it was: friendship had happened to both of them, on the sudden, completely aside from Tristan's both endangering and saving Crissand's life. It was no reason related to that, it was no reason that either of them quite knew. Crissand had simply risen on his horizon like the sun of his banner...and that was that....They were together, and there was a great deal right with the day simply in that. ↗
