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لو أنني حاولت أن أقرأ فقط لأرد على ما وجه إلي من نقد، لشغل هذا وقتي كله ولعطلني عن أعمالي !! لكنني أبذل جهدي في أداء واجبي، فإذا أثمرت جهودي فلا شيء من النقد الذي وجه إليّ يهمني بعد ذلك، إنه سيختفي من تلقاء نفسه. أما إذا خاب مسعاي فلو أقسمت الملائكة على حسن نيتي ما أجداني هذا فتيلاً، حَسبي فيما يتصل بآراء الناس أني أديت واجبي وأرضيت ضميري. ↗
I do not mean to mock or ridicule your life's work, for in one way at least it mimics my own: We have dedicated our lives to the pursuit of phantoms. The difference is the nature of those phantoms. Mine exist between other men's ears; yours live solely between your own. ↗
It is one thing to speak of embracing the new, the fresh, the strange. It is another to feel that one is an insect, crawling across a page of the Encyclopedia Britannica, knowing only that something vast is passing by beneath, all without your sensing more than a yawning vacancy. ↗
You've got a shitty habit, you know it? I've noticed it on all those TV drive-safely pitches that you do. You breathe in people's ears. You sound like a stallion in heat, Philbrick. That's a shitty habit. You also sound like you're reading off a teleprompter, even when you're not. You ought to take care of stuff like that. You might save a life. ↗
In literature one has the best company in the world at complete command; one also has the worst. One has a social conscience which dissuades one from harbouring unprofitable company in life, and I find that my two canons are a great aid and support for an analogous literary conscience which speaks up against consorting with unprofitable company in literature. ↗
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