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To venture ... close (to a lion) on foot ... would mean the sudden shattering of any kindly belief that the similarity of the lion and the pussy cat goes much beyond their whiskers. But then, since men still live by the sword, it's a little optimistic to expect the lion to withdraw his claws, handicapped as he is by his inability to read our better effusions about the immorality of bloodshed. ↗
My promise is fulfilled,” he said. “It is,” she coolly replied. “I shall be sorry to lose you as a soldier. I would be inclined to offer you a more agreeable weapon should you like to stay.” “I am well-trained, woman, unlike most of your men,” the giant scoffed. “The weapon in my hand does not matter as much as the skill behind it.” “I cannot disagree.” She smiled at him and handed him a few rations for his impending journey. “That should last you a day if you are careful. I would give you more, but unfortunately cannot spare anything beyond that.” She stood back from him, expecting him to take his leave, but he only stood in his place, looked down at the rations in his hand, and sighed. “If you wish to revisit your home, you are more than welcome to return to it. I shall not attempt to stop you or alert the others, as promised.” The giant gave her a pensive look and remained in his place. She waited for an explanation owing to his dejected looks and immobility, but received none, leading her to believe the matter of his captivity was graver than she had expected. ↗
The shots had dispersed the birds; there remained only two marabous, standing between ten and twenty paces away and plunged in reverie. They were like two old men with bald heads pressed between the shoulders. ↗
The Duke would not pay for the works. He says that the Castle can never be taken. That is called hubris, Giacomo, the belief that you are never wrong. Believing you are never wrong is an error that afflicts great men. I have learned that to be right you must first be wrong many times. Without making errors--and learning from them--a man cannot find the truth. ↗
What's the bravest thing you ever did? He spat in the road a bloody phlegm. Getting up this morning, he said. ↗
The men rode into Beaver Run like two horsemen of the apocalypse, justice on a white horse and war on a red. The few citizens walking through the muddy streets hurried to get out of their path, while those milling on the plank walkways stared as the duo passed. Danger. Long and lean, both sat their saddles with the ease of men accustomed to mastering both the beasts beneath them and the world around them. Their dusters hung to the tops of their boots and were covered in trail dust. Their hats, pulled low, cast shadows over their faces. Rifles were mounted to their horses' saddles and each man had a gun strapped to his thigh. ↗
#men
A turning point in the criticism of Hardy’s poetry came in his centenary year, in which W. H. Auden (1940) recorded his indebtedness to Hardy for his own education in matters of poetic technique. .......................... In a radio interview, Larkin defended his liking for Hardy’s temperament and way of seeing life: ‘He’s not a transcendental writer, he’s not a Yeats, he’s not an Eliot; his subjects are men, the life of men, time and the passing of time, love and the fading of love’. Larkin freely acknowledges the influence on him of Hardy’s verse, which results in his rejection of Yeats as a poetic model. ........................................ It is a similar kind of response that gave rise to an important study by Donald Davie (1973). Davie feels that ‘in British poetry of the last fifty years (as not in America) the most far-reaching influence, for good or ill, has been not Yeats, still less Eliot or Pound, not Lawrence, but Hardy’, and that this influence has been deleterious. ↗
Moreover, in conversations with women, men do most of the talking (Haas, 1979), and despite hackneyed stereotypes about women being more talkative than men, we're apparently used to this pattern. When people listen to record- ings of conversations, they think it's more disrespectful and assertive for a woman to interrupt a m~ than vice versa (Lafrance, 1992). ↗
#men #relationships #stereotypes #women #love
In economy, invisible hand is a set of wealthy men. It's the puppeteer who's in charge behind the curtain. ↗
