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Kate faced the crowd. They were just eyes and teeth to her, just spit and voices. It was a moment, even, before they became people: a man with one blind eye, another whose neck was thick with lumps and weeping wounds of scrofula. The poorest of the market. At Kate's feet, Drina. Her scarf and shirt were torn open. ↗
Why is contemporary China short of works that speak directly? Because we writers cannot speak directly, or rather we can only speak in an indirect way. Why does contemporary China lack good works that critique our current situation? Because our current situation may not be critiqued. We have not only lost the right to criticise, but the courage to do so. Why is modern China lacking in great writers? Because all the great writers are castrated while still in the nursery. ↗
Yea ! by your works are ye justified--toil unrelieved ; Manifold labours, co-ordinate each to the sending achieved ; Discipline, not of the feet but the soul, unremitting, unfeigned ; Tortures unholy by flame and by maiming, known, faced, and disdained ; Courage that suns Only foolhardiness ; even by these, are ye worthy of your guns. ↗
The ranks opened covertly to avoid the corpse. The invulnerable dead man forced a way for himself. The youth looked keenly at the ashen face. The wind raised the tawny beard. It moved as if a hand were stroking it. He vaguely desired to walk around and around the body and stare; the impulse of the living to try to read in dead eyes the answer to the Question. ↗
My opposition to Interviews lies in the fact that offhand answers have little value or grace of expression, and that such oral give and take helps to perpetuate the decline of the English language. ↗
We talk of strong personalities, and they are strong, until the not-every-day when we see them as we might see one woman alone in a desert, and know that all the strength we thought we knew was only courage, only her lone song echoing among the stones; and then at last when we have understood this and made up our minds to hear the song and admire its courage and its sweetness, we wait for the next note and it does not come. The last word, with its pure tone, echoes and fades and is gone, and we realize—only then—that we do not know what it was, that we have been too intent on the melody to hear even one word. We go then to find the singer, thinking she will be standing where we last saw her. There are only bones and sand and a few faded rags. ↗
