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Down through this verdant land Carter walked at evening, and saw twilight float up from the river to the marvelous golden spires of Thran. And just at the hour of dusk he came to the southern gate, and was stopped by a red-robed sentry till he had told three dreams beyond belief, and proved himself a dreamer worthy to walk up Thran's steep mysterious streets and linger in the bazaars where the wares of the ornate galleons were sold. Then into that incredible city he walked; through a wall so thick that the gate was a tunnel, and thereafter amidst curved and undulant ways winding deep and narrow between the heavenward towers. Lights shone through grated and balconied windows, and, the sound of lutes and pipes stole timid from inner courts where marble fountains bubbled. Carter knew his way, and edged down through darker streets to the river, where at an old sea tavern he found the captains and seamen he had known in myriad other dreams. There he bought his passage to Celephais on a great green galleon, and there he stopped for the night after speaking gravely to the venerable cat of that inn, who blinked dozing before an enormous hearth and dreamed of old wars and forgotten gods. ↗
While my chosen form of story-writing is obviously a special and perhaps a narrow one, it is none the less a persistent and permanent type of expression, as old as literature itself. There will always be a certain small percentage of persons who feel a burning curiosity about unknown outer space, and a burning desire to escape from the prison-house of the known and the real into those enchanted lands of incredible adventure and infinite possibilities which dreams open up to us, and which things like deep woods, fantastic urban towers, and flaming sunsets momentarily suggest. ↗
Everywhere he went he saw this same phenomenon—parents unmindful of their children, their attention fixed on little glass windows in the palms of their hands, mesmerized like drug addicts, longing for some artificial connection while their own flesh and blood careened wildly through a chaotic and violent world behind their backs. The writer was even worse. He invented false worlds and peopled them with ghosts while his motherless son scanned the horizon for a human connection. It was shameful. What did a man need to lose to be shaken from his immersion in a dream? What terminal force could liberate him from the pursuit of phantoms and engage him in the living world around him? ↗
An alder tree can't become an oak at will. A maple can't pick up its roots like legs, and stride, step by powerful step, along the shore to find the sun. And everything that ever said otherwise--all those years of school, and the plays and moving pictures that promise you can be someone else, something more--they were all lies. ↗
The Dreaming is always; forever... it's always happening, and us mob, we're part of it, all the time, everywhere, and every-when too. ↗
*You are not yet in the Emerald Dream. First, you must remove your earthly shell...* the voice in his head instructed. *As you reach the state of sleep, you will slip your body off as you would a coat. Start from your heart and mind, for they are the links that most bind you to the mortal plane. See? This is how it is done...* - Chapter 4 ↗
