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Read through the most famous quotes by topic #hat
Alamo has been a strong inspiration for nations striving for freedom all around the globe since 1836. Gvozdansko has not earned public reputation, but profoundly touched the heart of the bitter enemy Ferhat-paša alone in 1578. Croats have a duty and obligation to learn about Gvozdansko. ↗
To the NAR!' 'To freedom!' Jack Chimes in. Max and I pick up our mugs and click them against everyone else's without looking at each other. I'm afraid that if I do catch his eye, I'll see my own horror at what we're getting ourselves into reflected there, and that the smile on my face will drop off and shatter like glass. ↗
Don’t we get it? To put our arm around someone who is gay, someone who has an addiction, somebody who lives a different lifestyle, someone who is not what we think they should be… doing that has nothing to do with enabling them or accepting what they do as okay by us. It has nothing to do with encouraging them in their practice of what you or I might feel or believe is wrong vs right. It has everything to do with being a good human being. A good person. A good friend. ↗
The police called it choking, but I called it a two-handed neck hug. That’s how I knew she really loved me. ↗
HAMLET I will receive it sir with all diligence of spirit. Put your bonnet to his right use, 'tis for the head. OSRIC I thank you lordship, it is very hot. HAMLET No believe me, 'tis very cold, the wind is northerly. OSRIC It is indifferent cold my lord, indeed. HAMLET But yet methinks it is very sultry and hot for my complexion. OSRIC Exceedingly my lord, it is very sultry, as 'twere - I cannot tell how. But my lord, his majesty bade me signify to you that a has laid a great wager on your head. Sir, this is the matter - HAMLET I beseech you remember. (Hamlet moves him to put on his hat) ↗
You can take charge, kick ass, do whatever you have to do and it's okay. You can blow people up. These are things that are okay for cartoon characters to do. ↗
As inexplicable as the accidents that set it off, our imagination is a crucial privilege. I've tried my whole life simply to accept the images that present themselves to me without trying to analyze them. I remember when we were shooting That Obscure Object of Desire in Seville and I suddenly found myself telling Fernando Rey, at the end of a scene, to pick up a big sack filled with tools lying on a bench, sling it over his shoulder, and walk away. The action was completely irrational, yet it seemed absolutely right to me. Still, I was worried about it, so I shot two versions of the scene: one with the sack, one without. But during the rushes the following day, the whole crew agreed that the scene was much better with the sack. Why? I can't explain it, and I don't enjoy rummaging around in the cliches of psychoanalysis. ↗
