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I had never seen Rebecca with a guy before, so I never knew what kind of guy she went for. I spent all that time in my car telling myself I am not a nobody, that I am somebody, and then seeing that guy I knew I had been deceiving myself. He looked like a Disney cartoon prince, and I looked more like Old Yeller. What a shot to my ego. Just as I was feeling sorry for myself, I felt a tap on my shoulder. I turned around expecting to see Rebecca. Imagine my surprise when it wasn’t her! But it was a woman, so that’s a start. And it appeared she wanted to talk, and not just ask me to kindly get the hell out of her way. “I saw you from across the room,” she said. “Oh really?” I replied. “That’s disappointing.” “Why’s that?” “Because that means the invisible cloak I bought specifically for tonight is a sham. I was suspicious walking out of the store with an empty hanger, but the salesman assured me it was the best invisibility money could buy.” “I always thought being poor and having no money afforded you the most invisibility,” she said as she started laughing. “Well then I guess it goes to show that you don’t need to spend money you don’t have just to stand out by blending in. Or something like that.” “Something like that,” she said. “Anyway, my name is Dora J. Arod, and I saw you over there and I got excited, because you look like that one actor—you know who I’m talking about, because you must get it all the time.” Yes! So somebody does think I’m handsome and in possession of movie star looks. “Which actor are you referring to?” “Not sure his name, but he was in Armageddon, Big Fish, and Con Air.” “Oh!” I said, “Ben Affleck?” “Ben wasn’t in Big Fish or Con Air.” “Damn,” I said. “Hmm well I’m not sure who you’re referring to then.” “It just hit me,” she said. “Steve Buscemi. You look like Steve Buscemi!” I don’t remember what I said to that, but after giving it much thought, I will say that she is crazy. I do not look like Steve Buscemi. Steve Buscemi is a much more handsome man than me. ↗
#big-fish #con-air #confidence #crazy #disney
Must the interest of life wane for us all as the progress of knowledge curtails the playground of imagination? No doubt it must in some measure, but there is another cause. I believe that in these days we have too many occupations, too many interests; we know too many things, and, if you will, have too many advantages and facilities. Our faculty of taking an interest is dissipated and frittered away. ↗
O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold the swelling scene! Then should the warlike Harry, like himself, Assume the port of Mars; and at his heels, Leash'd in like hounds, should famine, sword and fire Crouch for employment. But pardon, and gentles all, The flat unraised spirits that have dared On this unworthy scaffold to bring forth So great an object: can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt? O, pardon! since a crooked figure may Attest in little place a million; And let us, ciphers to this great accompt, On your imaginary forces work. Suppose within the girdle of these walls Are now confined two mighty monarchies, Whose high upreared and abutting fronts The perilous narrow ocean parts asunder: Piece out our imperfections with your thoughts; Into a thousand parts divide on man, And make imaginary puissance; Think when we talk of horses, that you see them Printing their proud hoofs i' the receiving earth; For 'tis your thoughts that now must deck our kings, Carry them here and there; jumping o'er times, Turning the accomplishment of many years Into an hour-glass: for the which supply, Admit me Chorus to this history; Who prologue-like your humble patience pray, Gently to hear, kindly to judge, our play. ↗
…no person, no matter how vivid an imagination he may have, can invent anything half so droll as the freaks and fancies that originate in the lively brains of little people. ↗
Admirable, however, as the Paris of the present day appears to you, build up and put together again in imagination the Paris of the fifteenth century; look at the light through that surprising host of steeples, towers, and belfries; pour forth amid the immense city, break against the points of its islands, compress within the arches of the bridges, the current of the Seine, with its large patches of green and yellow, more changeable than a serpent's skin; define clearly the Gothic profile of this old Paris upon an horizon of azure, make its contour float in a wintry fog which clings to its innumerable chimneys; drown it in deep night, and observe the extraordinary play of darkness and light in this sombre labyrinth of buildings; throw into it a ray of moonlight, which shall show its faint outline and cause the huge heads of the towers to stand forth from amid the mist; or revert to that dark picture, touch up with shade the thousand acute angles of the spires and gables, and make them stand out, more jagged than a shark's jaw, upon the copper-coloured sky of evening. Now compare the two. ↗
The American writer and dilettante Logan Pearsall Smith once said: 'Some people think that life is the thing; but I prefer reading.' When I first came across this, I thought it witty; now I find it—as I do many aphorisms—a slick untruth. Life and reading are not separate activities. The distinction is false (as it is when Yeats imagines a choice between 'perfection of the life, or of the work'). When you read a great book, you don't escape from life, you plunge deeper into it. There may be a superficial escape—into different countries, mores, speech patterns—but what you are essentially doing is furthering your understanding of life's subtleties, paradoxes, joys, pains and truths. Reading and life are not separate but symbiotic. And for this serious task of imaginative discovery and self-discovery, there is and remains one perfect symbol: the printed book. ↗
#books #life #reading #truth #imagination
