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I don't believe that the Scots were always frugal, now that I have read our mean history. Once the land was without mankind and was covered with trees - most of these heaths and moors are modern - and heather grows on the moor because the peasants snapped the limbs they could reach from the trees as high as they could reach, which slowed the growth of the trees, and their pigs rooted up saplings in the forest, and with branches beyond reach men chopped down the trees, trees that had leeched the shallow soil but at least held it with their roots, so that with fewer trees the rains carried off the thin layer of soil, trees became more scarce, winds blew wilder, dry land grew drier and wet land grew more wet, as one peasant here and another peasant there, gathering infinitesimal sticks for paltry winter fires, first raised the trees into the shapes of trees in a medieval hunting scene, and a courtier or if you will a laird might ride horseback through the forest, which looked as cultivated as he did, and he might hunt stags or roes visible among the visible trunks of allegorical trees, as allegory to us was naturalism to them, but their trim and vertical forests quickly deforested to vacant heath and moor, sheep and cattle grazing, nothing much taller than heather, and stone cottages built, a small dairy, smoke curling from chimneys in the morning, thick blue-grey ascending into blue, the old landshape become a landscape, and stones shaped into walls that curved with hilly fields, poisonously quaint, so that modern Scotland-Scotland by the seventeenth century-has been gardened, with no un-policied nature anywhere, and the only worse yet to come the townscape, the rustic villages, towns shaped with a view to the view, town hall spire rhyming with church steeple, a skyline constructed because they saw themselves as others would see them as they drove around the curve of the road, and they wanted to be ready for them, one tree left at the margin of a hill to catch the sunset in its branches, a grove of trees in the middle of a city as a park or square or green, the whole of Scotland a manshape, and the interferences of men applauded everywhere by men as they drove out to view the scenery and viewed the sum of infinitesimal greeds, the history of Scottish appetites, uncalculated and incalculable intrusions into the forest until the forest became a moor... ("Interim") ↗
"Being most concerned with God's righteous judgments rather than the biased judgments of mere men, I have been standing...for the cause of Christ". ~ R. Alan Woods [2012] ↗
From the woods that surrounded the burgh came a mass of men. Some rode, others ran. All carried weapons, mainly axes or spears. A few wore mail shirts and cloaks, but most just leather aketons. Among them were a handful of men clad in the short tunics favoured by Highlanders. These men were bare from thigh to foot, an alarming sight to Ormesby, who had only heard rumour of these wild men of the north. As they came, they roared a multitude of battle cries. Ormesby caught one name in the din, issuing from a group of mailed riders who followed a burly man on a finely caparisoned horse. ‘For Douglas!’ they howled. ‘For Douglas!’ Below, the townsfolk were scattering. The English soldiers had formed a tight knot outside the hall, blades drawn, but even as Ormesby watched, the forlorn group of beggars he had seen threw off their ragged skins and furs, revealing thickly muscled warriors. They fell upon the soldiers with savage cries, daggers thrusting. Footsteps sounded on the hall stairs. The door burst open and two soldiers appeared. ‘We must go, sir!’ The clerks and officials were already hastening across the chamber. Donald was running with them. Ormesby remained rooted. ‘Who are they?’ he demanded, his voice high as he turned back to the window, seeing the horde rushing into the town. His eyes fixed on a giant of a man running, almost loping in the front lines. Taller than all those around him, agile in the stride, he wore a simple dark blue tunic and wide-brimmed kettle hat. The other men seemed to be running in unruly formation around him. But it was the blade in the man’s hands that Ormesby’s eyes were drawn to. He had never seen such a sword, so broad and long the giant had to grasp it in both hands as he came. Another name now became audible in the roar of the mob. ‘Wallace! Wallace! ↗
There passed a child of four, a small girl on a footpath over the fields, going home in the evening to Erl. They looked at each other with round eyes. "Hullo," said the child. "Hullo, child of men," said the troll. . . . "What are you?" said the child. "A troll of Elfland," answered the troll. "So I thought," said the child. "Where are you going, child of men?" the troll asked. "To the houses," the child replied. "We don't want to go there," said the troll. "N-no," said the child. "Come to Elfland," the troll said. The child thought for a while. Other children had gone, and the elves always sent a changeling in their place, so that nobody quite missed them and nobody really knew. She thought awhile of the wonder and wildness of Elfland, and then of her own house. "N-no," said the child. "Why not?" said the troll. "Mother made a jam roll this morning," said the child. And she walked on gravely home. Had it not been for that chance jam roll she had gone to Elfland. "Jam!" said the troll contemptuously and thought of the tarns of Elfland, the great lily-leaves lying flat upon their solemn waters, the huge blue lilies towering into the elf-light above the green deep tarns: for jam this child had forsaken them! ↗
A brick could be used as gift for the man who has everything. Here’s a tip: that man doesn’t have everything, because I just stole his wallet. But I can’t very well give him a gift of something I’ve just grifted. So while he’s pondering the meaning of the brick as a present, I’m off spending his money. It’s win-win for both of us. And by both of us I mean me and you, not me and him, because naturally you’ll be my accomplice, my partner, and as such you’re entitled to half. Of half. But since I’m paying you 25%, you’re paying for dinner. ↗
#brick-and-blanket-iq-test #brick-and-blanket-responses #brick-and-blanket-test #brick-and-blanket-uses #funny
We stood in the wings together, side by side. Reed's mouth was still agape. "It makes sense when you think about it," I mused. "You get two people together who have you-know-what, and sparks are going to fly." Reed's cue was about to start. He pointed at me and said, "Tonight. There's a party. And we're going to talk." "Yes" "Because this is crazy." "Totally." "Okay. Well." He tugged a strand of my hair. "Good luck out there." "You're not supposed to say that." "Fine. How about..." He squinted at me. "Here's looking at you kid." The smile melted off my face. "What did you say?" "It's a line. From a movie." He shrugged and burst onto the stage with a hee-haw. It was a line. From Casablanca. The same line KARL had said to me when I was Elsa. The same like Karl didn't recognize when I said it to him as Floressa. Which meant... nothing. Right? Lots of people know that line. Just because Reed said it, and Reed was a sub, it didn't mean he was... he was... "You're on," the stage manager whispered. I stumbled onto the stage. The lights were too bright. The theater was packed. Reed gave me a quick, crooked smile, and I knew. My crush on Karl was less complicated than I thought, because it wasn't Karl I'd been with that day in the garden. Now my crush on Reed... ? THAT was a scandal all on its own. ↗
The ideological blackmail that has been in place since the original Live Aid concerts in 1985 has insisted that ‘caring individuals’ could end famine directly, without the need for any kind of political solution or systemic reorganization. It is necessary to act straight away, we were told; politics has to be suspended in the name of ethical immediacy. Bono’s Product Red brand wanted to dispense even with the philanthropic intermediary. ‘Philanthropy is like hippy music, holding hands’, Bono proclaimed. ‘Red is more like punk rock, hip hop, this should feel like hard commerce’. The point was not to offer an alternative to capitalism - on the contrary, Product Red’s ‘punk rock’ or ‘hip hop’ character consisted in its ‘realistic’ acceptance that capitalism is the only game in town. No, the aim was only to ensure that some of the proceeds of particular transactions went to good causes. The fantasy being that western consumerism, far from being intrinsically implicated in systemic global inequalities, could itself solve them. All we have to do is buy the right products. ↗
#capitalism #capitalist-realism #charity #consumerism #cultural-capitalism
When the cold comes to New England it arrives in sheets of sleet and ice. In December, the wind wraps itself around bare trees and twists in between husbands and wives asleep in their beds. It shakes the shingles from the roofs and sifts through cracks in the plaster. The only green things left are the holly bushes and the old boxwood hedges in the village, and these are often painted white with snow. Chipmunks and weasels come to nest in basements and barns; owls find their way into attics. At night,the dark is blue and bluer still, as sapphire of night. ↗
#color #memory #new-england #picture #winter
Jerusalem (1804) And did those feet in ancient time Walk upon England's mountains green And was the holy lamb of God On England's pleasant pastures seen And did the countenance divine Shine forth upon our clouded hills And was Jerusalem builded here Among those dark Satanic mills Bring me my bow of burning gold Bring me my arrows of desire Bring me my spears o'clouds unfold Bring me my chariot of fire I will not cease from mental fight Nor shall my sword sleep in my hand 'Til we have built Jerusalem In England's green and pleasant land ↗
Brentwood stands on that fine and wealthy slope of country, one of the richest in Scotland, which lies between the Pentland Hills and the Firth. In clear weather you could see the blue gleam-like a bent bow, embracing the wealthy fields and scattered houses of the great estuary on one side of you; and on the other the blue heights, not gigantic like those we had been used to, but just high enough for all the glories of the atmosphere, the play of clouds, and sweet reflections, which give to a hilly country an interest and a charm which nothing else can emulate. Edinburgh, with its two lesser heights - the Castle and the Calton Hill - its spires and towers piercing through the smoke, and Arthur's Seat lying crouched behind, like a guardian no longer very needful, taking his repose beside the well-beloved charge, which is now, so to speak, able to take care of itself without him - lay at our right hand. From the lawn and drawing-room windows we could see all these varieties of landscape. The colour was sometimes a little chilly, but sometimes, also, as animated and full of vicissitude as a drama. I was never tired of it. Its colour and freshness revived the eyes which had grown weary of arid plains and blazing skies. It was always cheery, and fresh, and full of repose. ("The Open Door") ↗
