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Read through the most famous quotes by topic #lei
Bright star, would I were stedfast as thou art-- Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen mask Of snow upon the mountains and the moors-- No--yet still stedfast, still unchangeable, Pillow'd upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever--or else swoon to death. Glanzvoller Stern! wär ich so stet wie du, Nicht hing ich nachts in einsam stolzer Pracht! SchautŽ nicht mit ewigem Blick beiseite zu, Einsiedler der Natur, auf hoher Wacht Beim Priesterwerk der Reinigung, das die See, Die wogende, vollbringt am Meeresstrand; Noch starrt ich auf die Maske, die der Schnee Sanft fallend frisch um Berg und Moore band. Nein, doch unwandelbar und unentwegt MöchtŽ ruhn ich an der Liebsten weicher Brust, Zu fühlen, wie es wogend dort sich regt, Zu wachen ewig in unruhiger Lust, Zu lauschen auf des Atems sanftes Wehen - So ewig leben - sonst im Tod vergehen! ↗
#deutsche-sprache #english-language #leidenschaft #liebe #love
The art of music is good, for the reason, among others, that it produces pleasure; but what proof is it possible to give that pleasure is good? If, then, it is asserted that there is a comprehensive formula, including all things which are in themselves good, and that whatever else is good, is not so as an end, but as a mean, the formula may be accepted or rejected, but is not a subject of what is commonly understood by proof. ↗
#leisure #music #philosophy #pleasure #art
Once upon a time, the Reindeer took a running leap and jumped over the Northern Lights. But he jumped too low, and the long fur of his beautiful flowing tail got singed by the rainbow fires of the aurora. To this day the reindeer has no tail to speak of. But he is too busy pulling the Important Sleigh to notice what is lost. And he certainly doesn’t complain. What's your excuse? ↗
You want what you can’t have. I see it in your eyes. The pain that fills your nights is because of my pack of lies. I’ve opened up the door for you to walk away. There’s a better path for you even though I want you to stay. I’ve broken the rules, I’ve veered from the path but when I met you I knew to save you was worth the wrath. Let me leave now before it’s too late. Let me leave now before you know what I am and your love becomes hate. Walk away from me before I break down and take you with me. You can’t go where I’m going you can’t walk through my Hell. Walk away from me before I break down and take you with me. My path is meant for only me. There is no way to take you too. I’ve given you life when it was in my hands to give you death. Walk away from me. 112 Existence I watch the life I know you will lead without me here. It’s what you deserve it is where you belong it is everything I want but everything I fear. Once I met you I knew I had to save you but you saved me. Now I’m turning away and letting you run free. Not one moment will I forget there is a fire inside me that you lit with your touch. Hurting you wasn’t the plan but it must happen by my hand. Walk away from me before I break down and take you with me. You can’t go where I’m going you can’t walk through my Hell. Walk away from me before I break down and take you with me. My path is meant for only me. There is no way to take you too. I’ve given you life when it was in my hands to give you death. Walk away from me. ↗
I had lied to myself from the very beginning, deceived myself into believing that I was being fanciful and overly imaginative. Surely such monstrosities only existed in nightmares? Yet I had lived through a nightmare these past months, and that was no dream at all. I was still fighting against the awful truth, not wanting to give in, searching my mind for a logical explanation—but there was none. And the most horrible realization of all was that I had known, somewhere deep inside, ever since the day I first set eyes on Vladec Salei. Plague carrier. Living death. Drainer of life. The phrasing did not matter. No euphemism could strike fear into the hearts of men the way that single word could. Vampire. And for me, the uninitiated, that single word meant death. ↗
#blood-drinkers #corcitura #drainer-of-life #eric-bradburry #fear
What is it?” Leigh glanced up with uncertainty, then back to his groin with a sort of horrified fascination. “Well, um… is there something about immortals you haven’t told me?” “What? What do you mean?” he asked with bewilderment. Leigh shook her head, then leaned forward and said “Hello?” to his groin, only to stiffen again and jerk back as if it had hissed at her. “Are you talking to my penis?” Lucian asked with disbelief. “It talked to me first,” she said defensively, and frowned. “You didn’t mention this little skill.” Lucian decided she must be joking and laughed. “So, what did it say?” “It said, ‘Lucian? Lucian, are you there?’” He blinked. “Why would it say that?” “I don’t know. It’s your penis.” That’s when he recalled the cell phone in his pocket. A laugh bursting from his lips, Lucian reached in his pocket to retrieve the phone. ↗
I- A Primeira Etapa da Leitura Analítica: Regras para Descobrir de que se Trata um Livro 1. Classifique o livro de acordo com o tipo e o assunto 2. Diga de que se trata todo o livro com a máxima concisão. 3. Enumere as partes principais por ordem e segundo a relação que guardam entre si, e delineie essas partes da mesma forma que você delineou o todo. 4. Defina o problema ou os problemas que o autor tentou resolver. II- A Segunda Etapa da Leitura Analítica: Regras para interpretar o Conteúdo de um Livro 5. Assimile os termos do autor interpretando-lhe as palavras-chave. 6. Aprenda as principais porposições do autor examinando-lhe os períodos mais importantes. 7. Conheça os argumentos do autor, descobrindo-os nas sequências dos períodos ou construindo-os à base dessas sequências. 8. Determine quais os problemas que o autor resolveu e quais os que não resolveu; e dentre estes, indique quais os que o autor sabia que não conseguiria resolver. III- A Terceira Etapa da Leitura Analítica: Regras para Criticar um Livro encarado sob o prisma da Comunicação de Conhecimentos A- Preceitos Gerais da Etiqueta Intelectual 9. Não comece a crítica enquanto não completar o delineamentoe a interpretação do livro. (Não diga que concorda, discorda ou suspende o julgamento enquanto não puder dizer “Entendo”.) 10. Não faça da discordância disputa ou querela. 11. Demonstre que reconhece a diferença entre conhecimento e mera opinião pessoal apresentando boas razões para qualquer julgamento crítico que venha a fazer. B- Critérios Especiais para Tópicos de Crítica 12. Mostre em que ponto o autor está desinformado. 13. Mostre em que ponto o autor está mal informado. 14. Mostre em que ponto o autor é ilógico 15. Mostre em que ponto a análise ou explanação do autor é incompleta. ↗
Most of us have no sympathy with the rich idler who spends his life in pleasure without ever doing any work. But even he fulfills a function in the life of the social organism. He sets an example of luxury that awakens in the multitude a consciousness of new needs and gives industry the incentive to fulfill them. ↗
No" she jerked back, stared up at him. Her eyes were like thunderclouds. He'd never seen them like that. Shock and fear filled them. Her face was paper white. Her body shuddering. "Don't you leave me!" She gripped his shirt and tried to shake him, tears falling from her eyes. "Don't you leave Noah." His head lowered. He touched her lips with his and knew this woman held the best part of him. The memories of the husband he had been, the man he had been. He couldn't destroy that. He refuse to. He pushed her to Jordan slowly, loath to let her go. To release her. Knowing that releasing her was the only way to save the memories she held. "Don't you leave!" She screamed the order, eyes blazing, her lips trembling as tears fell and hysteria threatened to overwhelm her. "If you leave me, Noah Blake, if you don't come back when this is over, don't bother coming back at all. He touched her cheek. Ran his thumb over her lips. "You are the best part of me," he whispered. "Always remember that, Sabella. The best part of me." Before she could grab him, hold him to her, he pulled away, grabbed one of the rifles Mike had set on the table across the room. And left. ↗
#impossible-love #leaving #lora-leigh #nathan-malone #noah-blake
The ceremonial differentiation of the dietary is best seen in the use of intoxicating beverages and narcotics. If these articles of consumption are costly, they are felt to be noble and honorific. Therefore the base classes, primarily the women, practice an enforced continence with respect to these stimulants, except in countries where they are obtainable at a very low cost. From archaic times down through all the length of the patriarchal regime it has been the office of the women to prepare and administer these luxuries, and it has been the perquisite of the men of gentle birth and breeding to consume them. Drunkenness and the other pathological consequences of the free use of stimulants therefore tend in their turn to become honorific, as being a mark, at the second remove, of the superior status of those who are able to afford the indulgence. Infirmities induced by over-indulgence are among some peoples freely recognised as manly attributes. It has even happened that the name for certain diseased conditions of the body arising from such an origin has passed into everyday speech as a synonym for "noble" or "gentle". It is only at a relatively early stage of culture that the symptoms of expensive vice are conventionally accepted as marks of a superior status, and so tend to become virtues and command the deference of the community; but the reputability that attaches to certain expensive vices long retains so much of its force as to appreciably lesson the disapprobation visited upon the men of the wealthy or noble class for any excessive indulgence. The same invidious distinction adds force to the current disapproval of any indulgence of this kind on the part of women, minors, and inferiors. This invidious traditional distinction has not lost its force even among the more advanced peoples of today. Where the example set by the leisure class retains its imperative force in the regulation of the conventionalities, it is observable that the women still in great measure practise the same traditional continence with regard to stimulants. ↗
