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All the products of one period have something in common; the artists who illustrate the poetry of their generation are the same artists who are employed by the big financial houses. And nothing reminds me so much of the monthly parts of Notre-Dame de Paris, and of various books by Gérard de Nerval, that used to hang outside the grocer's door at Combray, than does, in its rectangular and flowery border, supported by recumbent river-gods, a 'personal share' in the Water Company. ↗
I recount as this journey begins where I rest to gather the tale from this same old house resting on the hill, leaving me a view of a carnival once seen from just across the tracks. My pallet is dry now. The colors I see no more. The rain has washed away many of the signs that once stood for a prosper home and family. My grave is waiting. The dreams once filled my head with images of world unison, hope and companionship for all. The saga spoken through my canvas drew darker as the years went on to the bitter cold nights. All that comes to me now are glimpses of faces that graced my soul. ↗
