#mm

I come from the sort of family in which, at the age of ten, I was told I must always say hoi polloi, never "the hoi polloi," because hoi meant "the," and two "the's" were redundant -- indeed something only hoi polloi would say. ↗

— Anne Fadiman

#usage #age

Only a sentimental being would care about such everyday things—things used and discarded by the humans of their respective eras without thought, yet kept and preserved by an immortal who never forgot them. An immortal who loved and cared for them, dusting them off for an eternity, keeping their dead spirits as alive as he—stuck in their immortal tomb never to find the rest everything must eventually seek. Time had no meaning in this cavern of infinite age. ↗

— Michelle M. Pillow

#eternity #immortal #keepsakes #life #memory

What a glorious promise! . . . There is no need for you or for me, in this enlightened age when the fulness of the gospel has been restored, to sail uncharted seas or to travel unmarked roads in search of truth. A loving Heavenly Father has plotted our course and provided an unfailing guide--even obedience. A knowledge of truth and the answers to our greatest questions come to us as we are obedient to the commandments of God" ("Obedience Brings Blessings," April 2013 General Conference). ↗

— Thomas S. Monson

#god #gospel #truth #age

Van Gogh would’ve sold more than one painting if he’d put tigers in them. ↗

— Bill Watterson

#commercial-viability-of-art #tigers #van-gogh #art

I have often perplexed myself over what I saw in Nelle Snyder's aged face at that moment. It was no look of paranoia. It was a look of waiting. Perpetual waiting. That look was to come back to me sixteen years later when I heard Rose's narration at the end of James Cameron's Titanic, with its line about survivors "waiting for an absolution that never came." Yet the waiting I saw in Nelle Snyder's face seemed larger even than a waiting for absolution. It seemed vaster even than Titanic herself. Call it the waiting of the Mother of all Perished Vessels. Or of a Ship of Honeymoon Dreams perchance, with a passenger list spanning all humanity, that once proudly sailed but was lost, aeons ago, and sank to a dark, unreachable abode where nothing whatsoever can be grasped about her except her perplexing power still to haunt us. ↗

— James Glaeg

#age

Real life is messy and hard and never turns out like I’ve imagined. Usually it’s better. So, I try not to dream but rather to pray. If there is one thing I know, it’s that I have no clue what I want. I’m fickle. I’m picky. And I’m scared of a lot of things. Especially commitment. ↗

— Katie Kiesler

#dreams #messy #prayer #real-life #age

Why on earth do you carry a mirror around with you?” “It's purely a defensive device. We seldom quarrel, and this is one of the reasons. Can you imagine yourself getting all worked up and contorted and illogical and then coming face to face with yourself, looking at yourself exactly as you look to everyone else? ↗

— Theodore Sturgeon

#anger #anger-management #defence #defensive-device #mirror

The only grown-up other than Jacob who ever came into his schoolroom was Eli Willard. School was in session one day when the Connecticut itinerant reappeared after long absence, bringing Jacob's glass and other merchandise. Jacob seized him and presented him to the class. 'Boys and girls, this specimen here is a Peddler. You don't see them very often. They migrate, like the geese flying over. This one comes maybe once a year, like Christmas. But he ain't dependable, like Christmas. He's dependable like rainfall. A Peddler is a feller who has got things you ain't got, and he'll give 'em to ye, and then after you're glad you got 'em he'll tell ye how much cash money you owe him fer 'em. If you ain't got cash money, he'll give credit, and collect the next time he comes 'round, and meantime you work hard to git the money someway so's ye kin pay him off. Look at his eyes. Notice how they are kinder shiftly-like. Now, class, the first question is: why is this feller's eyes shiftly-like? ↗

— Donald Harington

#consumerism #credit #practical-education #satire #architecture

In each of us lie good and bad, light and dark, art and pain, choice and regret, cruelty and sacrifice. We’re each of us our own chiaroscuro, our own bit of illusion fighting to emerge into something solid, something real. We’ve got to forgive ourselves that. I must remember to forgive myself. Because there is a lot of grey to work with. No one can live in the light all the time. ↗

— Libba Bray

#doyle #gemma #art

People use drugs, legal and illegal, because their lives are intolerably painful or dull. They hate their work and find no rest in their leisure. They are estranged from their families and their neighbors. It should tell us something that in healthy societies drug use is celebrative, convivial, and occasional, whereas among us it is lonely, shameful, and addictive. We need drugs, apparently, because we have lost each other. (pg. 61, "Racism and the Economy") ↗

— Wendell Berry

#drugs #health #loneliness #art