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It is a quintessential example of the whirling kinetics that drive a Keaton film, in which not just the medium but the human body- the permutations of the sinews, the shock of the limbs -seems infinitely elastic, an unruly instument to be wilded with a cheeky kind of grace. ↗
We watched Vamps hunting Vamps, Vamp hunters and Witches torching Vamps, teenage girls kissing Vamps. And we giggled and swooned through it all. ↗
