#o

It's a really big struggle for me to write a song. Songs take either 30 seconds for me to write or a year or two to piece together, depending on the song and how I'm feeling on any given day. I don't really like to write music at all unless I am completely unbothered by touring. ↗

— Adam Levine

#touring #music

Have you ever listened to folk music? Let's face it, a lot of folk music is all about dead sailors, mad witches, rape and fratricide. ↗

— Marie Browne

#music #music

Pike spawn in February, March, and April because they cannot wait until May. ↗

— Will Cuppy

#humor #natural-history #nature

So I spoke to my old friend Bruce and told him I was feeling it, his loss of Clarence. We talked for quite a while, and there is no need to go into what two old friends had to say to each other at this point, except to say that two old friends spoke to each other about their music, their muses, their partners in crime, their proof, their friendship, their souls and their lives. Ben Keith was my Clarence Clemons. Clarence Clemons was Bruce's Ben Keith. When he died last year it touched me to the core. I don't want to ever think of any one else playing his parts or occupying his space. No one could. I can't do those songs again unless it's solo. So I told Bruce, "Waylon once looked at me and said, 'There's very few of us left.'" He liked that. I told him when he looked to his right I would be there. That's enough. I'm not talking about that anymore. ↗

— Neil Young

#springsteen #dreams

Words are music to the ears, alone or together, with or without melody. ↗

— A.A. Patawaran

#words #writing #music

This music, transmitted by loud-speakers, made a masterpiece appear like an amateurish attempt at composition by nimcompoop ↗

— Paul Hindemith

#world #music

Sound is the most absorbent medium of all, soaking up histories and philosophical systems and physical surroundings and encoding them in something so slight as a single vocal quaver or icy harpsichord interjection. ↗

— Geoffrey O'Brien

#sound #music

Nobody can tell you about that sword all that there is to be told of it; for those that know of those paths of Space on which its metals once floated, till Earth caught them one by one as she sailed past on her orbit, have little time to waste on such things as magic and so cannot tell you how the sword was made, and those who know whence poetry is, and the need that man has for song, or know any one of the fifty branches of magic, have little time to waste on such things as science, and so cannot tell you whence its ingredients came. Enough that it was once beyond our Earth and was now here amongst our mundane stones; that it was once but as those stones, and now had something in it such as soft music has; let those that can define it. ↗

— Lord Dunsany

#music #poetry #science #swords #music

Having considered Handel's tumultuous opera career and his first term at Covent Garden in the 1730s, perhaps we may dare to suggest he was one of the foremost pioneers in establishing autonomy within the traditional system of music patronage, notwithstanding his efforts to become an independent impressario often proved disappointing. ↗

— E.A. Bucchianeri

#composers #covent-garden #handel #impressario #music-patronage

Traditions that cease to evolve render themselves irrelevant or obsolete. And what's the problem with inventing new performance practices? Are customs being slandered? Do successful alternative diminish the value of traditional ones? *The argument that musicians must embrace conventional rituals is just as perilous as unilaterally rejecting them.* ↗

— David Cutler

#music #musicians #performance #performance-practice #traditions