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I think it's a very old and deep-seated double standard that holds that when a man writes about family and feelings, it's literature with a capital L, but when a woman considers the same topics, it's romance, or a beach book - in short, it's something unworthy of a serious critic's attention. ↗
We combine our three packs of pasta for dinner – pesto. We tip the dried stuff into a pan, add water and simmer. We try it, looking at each other with disbelief as it hits the tastebuds. ‘It’s pesto, Jim, but not as we know it,’ I say. ‘Fascinating,’ says Lou, unsmiling humouring my Star Trek reference, while wincing at the foul food. (And what made me say that? Is there such a thing as a dad-joke vacuum that needs to be filled, even in the wild?) ↗
My parents both had Oxford degrees, they read important books, spoke foreign languages, drank real coffee and went to museums for pleasure. People like that don't have fat kids: they were cut out to be winners and winners don't have children who are overweight. ↗
Last Friday night, I Twitted a photograph of myself that I intended to send as a direct message as part of a joke to a woman in Seattle. Once I realized I posted to Twitter I panicked, I took it down and said that I had been hacked. I then continued with that story, to stick to that story which was a hugely regrettable mistake. ↗
If you write chick lit, and if you're a New Yorker, and if your book becomes the topic of pop-culture fascination, the paper might make dismissive and ignorant mention of your book. If you write romance, forget about it. You'll be lucky if they spell your name right on the bestseller list. ↗
