#parody

I never consciously do any work directly influenced from any movie, unless I'm doing a parody. ↗

— Ted Rall

#consciously #directly #doing #i #influenced

It is old age, rather than death, that is to be contrasted with life. Old age is life's parody, whereas death transforms life into a destiny: in a way it preserves it by giving it the absolute dimension. Death does away with time. ↗

— Simone de Beauvoir

#age #away #contrasted #death #destiny

Sometimes I think that a parody of democracy could be more dangerous than a blatant dictatorship, because that gives people an opportunity to avoid doing anything about it. ↗

— Aung San Suu Kyi

#anything #avoid #because #blatant #could

Parody is homage gone sour. ↗

— Brendan Gill

#homage #parody #sour

Rap's conscious response to the poverty and oppression of U.S. blacks is like some hideous parody of sixties black pride. ↗

— David Foster Wallace

#blacks #conscious #hideous #like #oppression

At this point I've got a bit of a track record. So people realize that when 'Weird Al' wants to go parody, it's not meant to make them look bad... it's meant to be a tribute. ↗

— Al Yankovic

#bad #bit #go #got #i

History, lie of our lives, mire of our loins. Our sins, our souls. Hiss-tih-ree: the tip of the pen taking a trip of three steps (with one glide) down the chronicle to trap a slick, sibilant character. Hiss. (Ss.) Tih. Ree. He was a pig, a plain pig, in the morning, standing five feet ten on one hoof. He was a pig in slacks. He was a pig in school. He was a pig on the dotted line. But in my eyes it’s always the ones signing dotted lines that become pigs. Did this pig have a precursor? He did, indeed he did. In point of fact, dating all the way back to the Biblical Age. Oh where? About everywhere you look there's pigs giving that fancy ol’ snake a chase. Yeah, yeah, yeah, you can always count on a fuckin’ pretentious sarcastican for a fancy prose style. ↗

— Brian Celio

#lolita #parody #age

[R]aging crime, class warfare, invasive immigrants, light morals, public misbehavior. Always we convince ourselves that the parade of unwelcome and despised is a new phenomenon, which is why the phrase "the good old days" has passed from cliché to self-parody. ↗

— Anna Quindlen

#cliches #crime #exclusion #immigration #morals

CREONTA: Rope! My rope! Hang those two thieves by the neck until they are dead. THE ROPE: Alack, but vile and ill-natured female! Upon wherein did thine affections tarry when I didst but lie here and rot for many a year? Nay, but those fellows tooketh care to remove the wetness that didst plagueth me of late and hath laid me upon the cool ground to revel in a state of dryness. Nay, I wouldst not delay them in their noble course for all thine base and bestial howling. CREONTA: Then, you, dearest donkey, precious beast of burden, tear those two apart and eat their flesh! DONKEY: Nay, but alas for many a season didst you but keep the food of the tummy from me and my mouth when it was that I required it of you. These fine gentlemen of fortune didst but give me carrots of which to partake which I did most verily and forthsoothe with merriment. I havest decided that thou dost suck most verily and no longer will I layth the smackth down in thine name but will rather let such gentlemen as these go free of themselves. TRUFFALDINO: [To the audience.] Well, what do you know? Fakespeare! ↗

— Hillary DePiano

#humor #parody #shakespeare #the-love-of-three-oranges #art

It was Colonel Parkman who upped stakes, crossed the border, and named our town, thus perversely commemorating a battle in which he'd lost. (Though perhaps that's not so unusual: many people take a curatorial interest in their own scars.) He's shown astride his horse, waving a sword and about to gallop into the nearby petunia bed: a craggy man with seasoned eyes and pointed beard, every sculptor's idea of every cavalry leader. No one knows what Colonel Parkman really looked like, since he left no pictorial evidence of himself and the statue wasn't erected until 1885, but he looks like this now. Such is the tyranny of Art. On the left-hand side of the lawn, also with a petunia bed, is an equally mythic figure: the Weary Soldier, his three top shirt buttons undone, his neck bowed as if for the headman's axe, his uniform rumpled, his helmet askew, leaning on his malfunctioning Ross rifle. Forever young, forever exhausted, he tops the War Memorial, his skin burning green in the sun, pigeon droppings running down his face like tears. ↗

— Margaret Atwood

#reality-check #truth #war #wit #art