Not even the most powerful organs of the press, including Time, Newsweek, and The New York Times, can discover a new artist or certify his work and make it stick. They can only bring you the scores. ↗
From where started, I think it is too far down to try and win a championship at the end of the season, although we had a very good first race at Mondello and scored some good points. ↗
Some other people are very lucky and always get in to the very best teams at the very best times and therefore go out and score lots of championship points and be in with a chance of the championship. ↗
I'm not saying that there weren't other inherent problems with the score that couldn't have been overcome with a bit of remixing, but why did they ask me to do it, and why did Griffin ask me to do it this way, for a film that had nothing to do with American vernacular? ↗
I would do the occasional score. I thought it was the most thrilling thing. It was instant. You made the music and they played it right away to millions of people. I found it thrilling. ↗