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It’s Curt Schilling and his bloody sock staring down the Yankees in the Bronx. It’s Derek Lowe taking the mound the very next night to complete the most improbable comeback in baseball history—and then seven days later clinching the World Series. It’s Pedro Martinez and his six hitless innings of postseason relief against the Indians. Yes, it is also Cy Young and Roger Clemens, and the 192 wins in a Red Sox uniform that they share—the perfect game for Young, the 20 strikeout games for Clemens—but it is also Bill Dinneen clinching the 1903 World Series with a busted, bloody hand, and Jose Santiago shutting down Minnesota with two games left in the season to keep the 1967 Impossible Dream alive, and Jim Lonborg clinching the Impossible Dream the very next day, and Jim Lonborg again, tossing a one-hitter and a three-hitter in the 1967 World Series, and Luis Tiant in the 1975 postseason, shutting out Oakland and Cincinnati in back-to-back starts. They are all winners. ↗
Who is he anyhow, an actor?" "No." "A dentist?" "...No, he's a gambler." Gatsby hesitated, then added cooly: "He's the man who fixed the World Series back in 1919." "Fixed the World Series?" I repeated. The idea staggered me. I remembered, of course, that the World Series had been fixed in 1919, but if I had thought of it at all I would have thought of it as something that merely happened, the end of an inevitable chain. It never occurred to me that one man could start to play with the faith of fifty million people--with the singlemindedness of a burglar blowing a safe. "How did he happen to do that?" I asked after a minute. "He just saw the opportunity." "Why isn't he in jail?" "They can't get him, old sport. He's a smart man. ↗
The ballpark is the star. In the age of Tris Speaker and Babe Ruth, the era of Jimmie Foxx and Ted Williams, through the empty-seats epoch of Don Buddin and Willie Tasby and unto the decades of Carl Yastrzemski and Jim Rice, the ballpark is the star. A crazy-quilt violation of city planning principles, an irregular pile of architecture, a menace to marketing consultants, Fenway Park works. It works as a symbol of New England's pride, as a repository of evergreen hopes, as a tabernacle of lost innocence. It works as a place to watch baseball ↗
Ben: You know what's really great about baseball? Lindsey Meeks: Hmm? Ben: You can't fake it. You know, anything else in life you don't have to be great in - business, music, art - I mean you can get lucky. Lindsey Meeks: Really? Ben: Yeah, you can fool everyone for awhile, you know? It's like - not - not baseball. You can either hit a curveball or you can't. That's the way it works... Lindsey Meeks: Hmm. Ben: You know? Ben: You can have a lucky day, sure, but you can't have a lucky career. It's a little like math. It's orderly. Win or lose, it's fair. It all adds up. It's, like, not as confusing or as ambiguous as, uh... Lindsey Meeks: Life? Ben: Yeah. It's - it's safe. ↗
