I was probably 35 when I wrote the first story. The voice is kind of a mix in that it has a young voice, but it's also someone who's looking back. I like that kind of double vision. ↗
If you take a lie and allow your desire for the truth, you'll end up with some truth - not fact, but something that gets you closer to the truth. That's what we want. When we go to a play, we need to be assured that the experience we're having. ↗
In the plays - that's where I go crazy. But my prose has a much lighter touch; it's not trying to thrill with language, just to be more truthful. I'm not concerned with the accuracy of anything. We don't get to the truth of anything with facts. ↗
The fishes are also employed for the same purpose on any yard, which happens to be sprung or fractured. Thus their form, application, and utility are exactly like those of the splinters applied to a broken limb in surgery. ↗
People in the business will stay with you through drugs and alcohol and divorces and insanity and everything else, but you have a failure, pal, and they don't want to know nothing about you! ↗
Every once in a while I get the highly inappropriate proposal which is like, 'Wow, Really! You don't even know me and I don't know you at all, and you want that to happen? Tonight? Ok, I get off work at 7.30.' ↗
