#try

Industry has operated against the artisan in favor of the idler, and also in favor of capital and against labor. Any mechanical invention whatsoever has been more harmful to humanity than a century of war. ↗

— Remy de Gourmont

#also #any #artisan #been #capital

In the words of Mr Thierry Coup of Warner Bros: 'We are taking the most iconic and powerful moments of the stories and putting them in an immersive environment. It is taking the theme park experience to a new level.' And of course I wish Thierry and his colleagues every possible luck, and I am sure it will be wonderful. But I cannot conceal my feelings; and the more I think of those millions of beaming kids waving their wands and scampering the Styrofoam turrets of Hogwartse_STmk, and the more I think of those millions of poor put-upon parents who must now pay to fly to Orlando and pay to buy wizard hats and wizard cloaks and wizard burgers washed down with wizard meade_STmk, the more I grind my teeth in jealous irritation. Because the fact is that Harry Potter is not American. He is British. Where is Diagon Alley, where they buy wands and stuff? It is in London, and if you want to get into the Ministry of Magic you disappear down a London telephone box. The train for Hogwarts goes from King's Cross, not Grand Central Station, and what is Harry Potter all about? It is about the ritual and intrigue and dorm-feast excitement of a British boarding school of a kind that you just don't find in America. Hogwarts is a place where children occasionally get cross with each other—not 'mad'—and where the situation is usually saved by a good old British sense of HUMOUR. WITH A U. RIGHT? NOT HUMOR. GOTTIT? ↗

— Boris Johnson

#boarding-school #britain #britishism #diagon-alley #grand-central

I drift like a cloud, Across these venerable eastern lands, A journey of unfathomable distances, An endless scroll of experiences... Lady Zhejiang here we must part, For the next province awaits my embrace. Sad wanderer, once you conquer the East, Where do you go? ↗

— Tom Carter

#china #chinese #collecting-poetic-lines #hangzhou #ji-ju

I have heard my fill of hurtful words. I think it's especially egregious when citizens like me, who point out abuses in their country, are referred to as 'do-gooders.' This is how a phrase that can be used to stop an argument dead becomes part of common usage. ↗

— Gunter Grass

#becomes #citizens #common #country #dead

I see architecture not as Gropius did, as a moral venture, as truth, but as invention, in the same way that poetry or music or painting is invention. ↗

— Michael Graves

#did #i #i see #invention #moral

There is nothing impossible to him who will try. ↗

— Alexander the Great

#impossible #nothing #try #who #will

Every time I try to set something in Chicago, I get intimidated by 'Augie March.' It's easy to set something in Indianapolis - we don't have 'Augie March' here. But I love writing about Chicago, and I love being there and imagining lives in Chicago. I hope to set something there in the future, but it's intimidating. ↗

— John Green

#being #being there #chicago #easy #every

I think it's an interesting thing to watch when a person is trying to keep it together and then ultimately when they do lose it a little bit. ↗

— Kristen Wiig

#i #i think #interesting #interesting thing #keep

Now, when we face a problem like global warming, and you understand that the biggest impacts on global warming come from business and industry, I think business needs to take a leading role. ↗

— Jerry Greenfield

#business #come #face #global #global warming

The first fact of the world is that it repeats itself. I had been taught to believe that the freshness of children lay in their capacity for wonder at the vividness and strangeness of the particular, but what is fresh in them is that they still experience the power of repetition, from which our first sense of the power of mastery comes. Though predictable is an ugly little world in daily life, in our first experience of it we are clued to the hope of a shapeliness in things. To see that power working on adults, you have to catch them out: the look of foolish happiness on the faces of people who have just sat down to dinner is their knowledge that dinner will be served. Probably, that is the psychological basis for the power and the necessity of artistic form...Maybe our first experience of form is the experience of our own formation...And I am not thinking mainly of poems about form; I’m thinking of the form of a poem, the shape of its understanding. The presence of that shaping constitutes the presence of poetry. ↗

— Robert Hass

#poetry #writers-on-writing #experience