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In the kingdom of MySpace, the eHarmony Band used to think themselves more than a match for the E-Street Band with their new folksonomy and flash algorithms, but their Rick Roll Skyrock was so raucous the soundpedia citizendium of Wikicity spread the Google buzz that soon roused the princes of the realm, Habbo, Bebo, senile Weibo and the twins Badoo and Bahu, to decide there and then that the lead Orkut Xing who fancied himself a latter day Bing Dogsby (not Crosby; nor Stills or Nash) was a foursquare odd no-class niki trying to yahoo his way into the charts! They would hire their friendsters, flixsters, adult friendfinders and paypals to drive the upstart and his Hype machine from the United Territories of Wikimedia to exile as a twitpic on the tweetdeck of Pandora's Last.fm. The hapless Cloob skyped off to the Thin Line Strait hoping to stumbleupon networks where Tags and eBay could scrobble him some hiding space, linkedin as they were to oceans of personal information and hyves of technorati. He did not reckon on being waylaid by an army of Iphonic Apps and their lackeys, the Mixi Trolls of Japanese stock, stunted descendants of Godzilla and Mozilla Firefox, from the Sea of Forgotten Memes. No wiktionary held any answers for him as far as he could see; for the wikipedic wordpress had stopped functioning long ago, ever since the videos of youporn went viral and all blogsters and their bloodspots became outlawed. How was he to escape the poisonous twitter of Flickr the Troll of the low IQ... ↗
I start reading every Elizabeth Wurtzel essay with optimism, like maybe finally she put her talent to writing about something than herself, and by the end of paragraph three that optimism has fled. So maybe you know Wurtzel has written an essay for New York Magazine? Probably you know, because for whatever reason, Wurtzel provokes a deep need in people to talk about how much they hate Wurtzel. So the comments are hundreds deep, Twitter is ablaze, and here I am, writing this blog post. And actually, she reminds me of Mary MacLane. She was a 19-year-old girl who wrote a memoir called I Await the Devil’s Coming in 1901 and it was an instant success. I wrote the introduction to the upcoming reissue, and there I talk about what a deeply interesting book it was. Not only “for its time,” but also it’s just kind of visceral and nasty and snarling, yet elegantly written. I kept thinking about MacLane, after the introduction got handed in and things went off to press. But this time, it wasn’t her writing that interested me, it was the way she never wrote anything very interesting ever again. She got stunted, somehow, winning all of that acclaim for being a young, sour thing. And I wondered if it was the fame that stunted her, because she spent the rest of her career spitting out copies of the memoir that made her famous. And it worked, until it didn’t. ↗
I prefer to connect with fans from the stage. Like, I don't have a Twitter page, or anything like that. So for me, that's what the show is about. For me - is a way to interact with fans; being up onstage and showing them, through music - which is all I really know - the best way to say thank you. ↗
