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Read through the most famous quotes by topic #villa
Some writers, notably Anton Chekov, argue that all characters must be admirable, because once we've looked at anyone deeply enough and understood their motivation we must identify with them rather than judge them. ↗
Coleridge’s description of Iago’s actions as "motiveless malignancy" applies in some degree to all the Shakespearian villains. The adjective motiveless means, firstly, that the tangible gains, if any, are clearly not the principal motive, and, secondly, that the motive is not the desire for personal revenge upon another for a personal injury. Iago himself proffers two reasons for wishing to injure Othello and Cassio. He tells Roderigo that, in appointing Cassio to be his lieutenant, Othello has treated him unjustly, in which conversation he talks like the conventional Elizabethan malcontent. In his soliloquies with himself, he refers to his suspicion that both Othello and Cassio have made him a cuckold, and here he talks like the conventional jealous husband who desires revenge. But there are, I believe, insuperable objections to taking these reasons, as some critics have done, at their face value. ↗
Bet vai tu zini par manu bērnību? Vai tu zini, cik man bija sliktas mājas un cik daudz ļauna es tur dabūju iemācīties? Šķiet, ka tas nāk līdzi mantojumā, no citiem augumiem, bet no kā? No pirmā auguma, tā bija rakstīts bērnu grāmatās, un liekas, ka piepildās... Tāpēc nevaino mani, tad es savukārt nevainošu savus vecākus, kuri varētu vainot savējos un tā joprojām! ↗
There is one timeless way of building. It is a thousand years old, and the same today as it has ever been. The great traditional buildings of the past, the villages and tents and temples in which man feels at home, have always been made by people who were very close to the center of this way. ↗
Emigration, forced or chosen, across national frontiers or from village to metropolis, is the quintessential experience of our time. ↗
In a rich moonlit garden, flowers open beneath the eyes of entire nations terrified to acknowledge the simplicity of the beauty of peace. ↗
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