I never play a villain that I don't have something I can either do or say so the audience sees there is something redeemable about them. In other words, I don't want to do evil for evil's sake. I don't want to do Jason slasher movies. There's no point in that. ↗
I would recommend the short story form, which is a lot harder to write since you have to be so careful with words, until there is plenty of time to doodle through a novel. ↗
I don't begin a novel or a screenplay until I know the ending. And I don't mean only that I have to know what happens. I mean that I have to hear the actual sentences. I have to know what atmosphere the words convey. ↗
But my question is, am I compromising by adapting my words for the audience and where is the line beyond which I am not adapting words, but changing my position? ↗
But I now entered on my fifteenth year - a sad epoch in the life of a slave girl. My master began to whisper foul words in my ear. Young as I was, I could not remain ignorant of their import. ↗