#wordsworth

When sonneteering Wordsworth re-creates the landing of Mary Queen of Scots at the mouth of the Derwent - Dear to the Loves, and to the Graces vowed, The Queen drew back the wimple that she wore - he unveils nothing less than a canvas by Rubens, baroque master of baroque masters; this is the landing of a TRAGIC Marie de Medicis. Yet so receptive was the English ear to sheep-Wordsworth's perverse 'Enough of Art' that it is not any of these works of supreme art, these master-sonnets of English literature, that are sold as picture postcards, with the text in lieu of the view, in the Lake District! it is those eternally, infernally sprightly Daffodils. ↗

— Brigid Brophy

#criticism #deep #half-witted-sheep #wordsworth #art

Is a picture really worth a thousand words? What thousand words? A thousand words from a lunatic, or a thousand words from Nietzsche? Actually, Nietzsche was a lunatic, but you see my point. What about a thousand words from a rambler vs. 500 words from Mark Twain? He could say the same thing quicker and with more force than almost any other writer. One thousand words from Ginsberg are not even worth one from Wilde. It’s wild to declare the equivalency of any picture with any army of 1,000 words. Words from a writer like Wordsworth make you appreciate what words are worth. 
 ↗

— Jarod Kintz

#genius #humor #humorist #maxism #nietzsche

But Wordsworth is the poet I admire above all others. ↗

— Andrew Motion

#admire #i #others #poet #wordsworth

Tonight, however, Dickens struck him in a different light. Beneath the author’s sentimental pity for the weak and helpless, he could discern a revolting pleasure in cruelty and suffering, while the grotesque figures of the people in Cruikshank’s illustrations revealed too clearly the hideous distortions of their souls. What had seemed humorous now appeared diabolic, and in disgust at these two favourites he turned to Walter Pater for the repose and dignity of a classic spirit. But presently he wondered if this spirit were not in itself of a marble quality, frigid and lifeless, contrary to the purpose of nature. ‘I have often thought’, he said to himself, ‘that there is something evil in the austere worship of beauty for its own sake.’ He had never thought so before, but he liked to think that this impulse of fancy was the result of mature consideration, and with this satisfaction he composed himself for sleep. He woke two or three times in the night, an unusual occurrence, but he was glad of it, for each time he had been dreaming horribly of these blameless Victorian works… It turned out to be the Boy’s Gulliver’s Travels that Granny had given him, and Dicky had at last to explain his rage with the devil who wrote it to show that men were worse than beasts and the human race a washout. A boy who never had good school reports had no right to be so morbidly sensitive as to penetrate to the underlying cynicism of Swift’s delightful fable, and that moreover in the bright and carefully expurgated edition they bring out nowadays. Mr Corbett could not say he had ever noticed the cynicism himself, though he knew from the critical books it must be there, and with some annoyance he advised his son to take out a nice bright modern boy’s adventure story that could not depress anybody. Mr Corbett soon found that he too was ‘off reading’. Every new book seemed to him weak, tasteless and insipid; while his old and familiar books were depressing or even, in some obscure way, disgusting. Authors must all be filthy-minded; they probably wrote what they dared not express in their lives. Stevenson had said that literature was a morbid secretion; he read Stevenson again to discover his peculiar morbidity, and detected in his essays a self-pity masquerading as courage, and in Treasure Island an invalid’s sickly attraction to brutality. This gave him a zest to find out what he disliked so much, and his taste for reading revived as he explored with relish the hidden infirmities of minds that had been valued by fools as great and noble. He saw Jane Austen and Charlotte Brontë as two unpleasant examples of spinsterhood; the one as a prying, sub-acid busybody in everyone else’s flirtations, the other as a raving, craving maenad seeking self-immolation on the altar of her frustrated passions. He compared Wordsworth’s love of nature to the monstrous egoism of an ancient bellwether, isolated from the flock. ↗

— Margaret Irwin

#charlotte-bronte #emily-bronte #jane-austen #jonathan-swift #literature

(COMPARE) - Our birth is but a dream and a forgetting (Wordsworth) - ...so schläft er sehr rasch wieder ein, und schon nach vierundzwanzig Stunden ist es, als sei man niet weg gewesen und als sei die Reise der Traum einer Nacht. (Thomas Mann) - Thetis baptized her mortal son in Styx; A mortal mother would on Lethe fix. (Byron) ↗

— William Wordsworth

#wordsworth #dreams

I wandered lonely as a cloud That floats on high o'er vales and hills When all at once I saw a crowd A host of golden daffodils Beside the lake beneath the trees Fluttering and dancing in the breeze. ↗

— William Wordsworth

#nature #wordsworth #nature

We learned in the university to consider Wordsworth and Keats as Romantics. They were only a generation apart, but Wordsworth didn't even read Keats's book when he gave him a copy. ↗

— Thom Gunn

#book #consider #copy #even #gave

We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone, as we can arrive at Milton's way of regarding things, or at Wordsworth's or at Shelley's, by examining almost any one of their important works. ↗

— Andrew Coyle Bradley

#alone #any #arrive #cannot #dramatic

I see no marks of Wordsworths style of writing or style of thinking in my own work, yet Wordsworth is a constant presence when I write about human beings and their relations to the natural world. ↗

— J. M. Coetzee

#beings #constant #human #human beings #i

Deprivation is for me what daffodils were for Wordsworth. ↗

— Philip Larkin

#me #were #wordsworth