Ivanov: No, my clever young thing, it's not a question of romance. I say as before God that I will endure everything - depression and mental illness and ruin and the loss of my wife and premature old age and loneliness - but I cannot tolerate, cannot endure being ridiculous in my own eyes. I'm dying of shame at the thought that I, a healthy, strong man, have turned into some sort of Hamlet or Manfred, some sort of 'superfluous man'... devil knows precisely what! There are pitiful people who are flattered by being called Hamlet or superfluous men, but for me it's a disgrace! It stirs up my pride, I'm overcome by shame and I suffer...

"It's nice to be a lord" he joked to his friend Ivan Leontyev (who wrote humorous pieces under the pseudonym Shcheglov) but he took his responsibilities as a landlord seriously and soon made himself useful to the local peasants. As well as organising relief for victims of the famine and cholera outbreaks of 1892 he went on to build three schools a fire station and a clinic and to donate his medical services to peasants for miles around despite frequent recurrences of his tuberculosis. Suvorin was to become a lifelong friend perhaps Chekhov's closest.

His career as a dramatist produced four classics and his best short stories are held in high esteem by writers and critics. "
Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896 but the play was revived to acclaim in 1898 by Constantin Stanislavski's Moscow Art Theatre which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays Three Sisters and The Cherry Orchard.