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He discovered wonderful stories, also, about jewels. In Alphonso's Clericalis Disciplina a serpent was mentioned with eyes of real jacinth, and in the romantic history of Alexander, the Conqueror of Emathia was said to have found in the vale of Jordan snakes 'with collars of real emeralds growing on their backs.' There was a gem in the brain of the dragon, Philostratus told us, and 'by the exhibition of golden letters and a scarlet robe' the monster could be thrown into a magical sleep and slain. According to the great alchemist, Pierre de Boniface, the diamond rendered a man invisible, and the agate of India made him eloquent. The cornelian appeased anger, and the hyacinth provoked sleep, and the amethyst drove away the fumes of wine. The garnet cast out demons, and the hydropicus deprived the moon of her color. The selenite waxed and waned with the moon, and the meloceus, that discovers thieves, could be affected only by the blood of kids. Leonardus Camillus had seen a white stone taken from the brain of a newly killed toad, that was a certain antidote against poison. The bezoar, that was found in the heart of the Arabian deer, was a charm that could cure the plague. In the nests of Arabian birds was the aspirates, that, according to Democritus, kept the wearer from any danger by fire.


Oscar Wilde


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One evening after discussing depictions of Salome throughout history he returned to his hotel to notice a blank copybook lying on the desk and it occurred to him to write down what he had been saying. " which Wilde had begun in 1887 was first publiOscar Wilded in Blackwood's Edinburgh Magazine in July 1889. tour of Patience and selling this most charming aesthete to the American public.

At the turn of the 1890s he refined his ideas about the supremacy of art in a series of dialogues and essays and incorporated themes of decadence duplicity and beauty into his only novel The Picture of Dorian Gray (1890). After writing in different forms throughout the 1880s he became one of London's most popular playwrights in the early 1890s. As a spokesman for aestheticism he tried his hand at various literary activities: he publiOscar Wilded a book of poems lectured in the United States and Canada on the new "English Renaissance in Art" and then returned to London where he worked prolifically as a journalist.

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