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I don't think immediate tragedy is a very good source of art. It can be, but too often it's raw and painful and un-dealt-with. Sometimes art can be a really good escape from the intolerable, and a good place to go when things are bad, but that doesn't mean you have to write directly about the bad thing; sometimes you need to let time pass, and allow the thing that hurts to get covered with layers, and then you take it out, like a pearl, and you make art out of it. When my father died, on the plane from his funeral in the UK back to New York, still in shock, I got out my notebook and wrote a script. It was a good place to go, the place that script was, and I went there so deeply and so far that when we landed Maddy had to tap me on the arm to remind me that I had to get off the plane now. (She says I looked up at her, puzzled, and said "But I want to find out what happens next.") It was where I went and what I did to cope, and I was amazed, some weeks later when I pulled out that notebook to start typing, to find that I'd written pretty much the entire script in that six hour journey.


Neil Gaiman


#writing #art



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Did you know about Neil Gaiman?

He later became a fan of science fiction reading the works of authors as diverse as Alan MooreSamuel R. Gaiman has not written a direct sequel to American Gods but he has revisited the characters. In the late 1980s he wrote Don't Panic: The Official Hitchhiker's Guide to the Galaxy Companion in what he calls a "classic English humour" style.

His notable works include the comic book series The Sandman and novels Stardust American Gods Coraline and The Graveyard Book. Neil Richard MacKinnon Gaiman (pron.

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