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I will not subscribe to the argument that ornament increases the pleasure of the life of a cultivated person, or the argument which covers itself with the words: “But if the ornament is beautiful! ...” To me, and to all the cultivated people, ornament does not increase the pleasures of life. If I want to eat a piece of gingerbread I will choose one that is completely plain and not a piece which represents a baby in arms of a horserider, a piece which is covered over and over with decoration. The man of the fifteenth century would not understand me. But modern people will. The supporter of ornament believes that the urge for simplicity is equivalent to self-denial. No, dear professor from the College of Applied Arts, I am not denying myself! To me, it tastes better this way.


Adolf Loos


#modernism #ornament #art



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Louis and did odd jobs in New York.  
Gravagnuolo Benedetto (1995).  204.

In this and many other essays he contributed to the elaboration of a body of theory and criticism of Modernism in architecture. He was influential in European Modern architecture and in his essay Ornament and Crime he abandoned the aesthetic principles of the Vienna Secession.

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