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For all the allure of speciously stress-free suburbs, for all the grinding of city life, cities endure. And when all those diverse energies are harnessed, and those choices, private and public, cohere, and all the bargains made in a million ways every day hold up, then a city flourishes and is the most stimulating center for life, and the most previous artifact, a culture can create. Think of great cities large and small (size, as with any work of art, does not necessarily determine value) and, in addition to nodes of government, commerce, law, hospitals, libraries, and newspapers will come to mind, as will restaurants and theaters and houses of worship and museums and opera houses and galleries and universities. And so will stadia and arenas and parks. In short, once finds not simply commerce but culture, not simply work but leisure, not only negotium but otium, not simply that which ennobles but also that which perfects us. Such has forever been the ultimate purpose of a city, to mirror our higher state, not simply to shelter us from wind and rain. As with leisure, so with the city: It is the setting to make us not the best that Nature can make us, but to manifest the best we, humankind, adding Art to Nature, can make us.


A. Bartlett Giamatti


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Collision at Home Plate: The Lives of Pete Rose and Bart Giamatti. Giamatti was elected a fellow of the American Academy of Arts and Sciences in 1980. The Earthly Paradise and the Renaissance Epic (1966)
Play of Double Senses: Spenser’s Faerie Queene (1975)
The University and the Public Interest (1981)
Exile and Change in Renaissance Literature (1984)
Take Time for Paradise: Americans and their Games (1989)
A Free and Ordered Space: The Real World of the University (1990)
A Great and Glorious Game: Baseball Writings of A.

Angelo Bartlett "Bart" Giamatti (/dʒiːəˈmɑːti/; April 4 1938 – September 1 1989) was the president of Yale University and later the seventh Commissioner of Major League Baseball.

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