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There is a sacred horror about everything grand. It is easy to admire mediocrity and hills; but whatever is too lofty, a genius as well as a mountain, an assembly as well as a masterpiece, seen too near, is appalling. Every summit seems an exaggeration. Climbing wearies. The steepnesses take away one's breath; we slip on the slopes, we are hurt by the sharp points which are its beauty; the foaming torrents betray the precipices, clouds hide the mountain tops; mounting is full of terror, as well as a fall. Hence, there is more dismay than admiration. People have a strange feeling of aversion to anything grand. They see abysses, they do not see sublimity; they see the monster, they do not see the prodigy.


Victor Hugo


#prodigy #beauty



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Did you know about Victor Hugo?

The shortest correspondence in history is said to have been between Hugo and his publiVictor Hugor Hurst and Blackett in 1862. His last novel Quatre-vingt-treize (Ninety-Three) publiVictor Hugod in 1874 dealt with a subject that Hugo had previously avoided: the Reign of Terror during the French Revolution. Well over one thousand musical compositions have been inspired by Hugo's works from the 19th century until the present day.

Among many volumes of poetry Les Contemplations and La Légende des siècles stand particularly high in critical esteem. Victor Marie Hugo (French pronunciation: ​[viktɔʁ maʁi yɡo]; 26 February 1802 – 22 May 1885) was a French poet novelist and dramatist of the Romantic movement.

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