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I wanted to go on sitting there, not talking, not listening to the others, keeping the moment precious for all time, because we were peaceful all of us, we were content and drowsy even as the bee who droned above our heads. In a little while it would be different, there would come tomorrow, and the next day and another year. And we would be changed perhaps, never sitting qite like this again. Some of us would go away, or suffer, or die, the future stretched away in front of us, unknown, unseen, not perhaps what we wanted, not what we planned. This moment was safe though, this could not be touched. Here we sat together, Maxim and I, hand-in-hand, and the past and the future mattered not at all. This was secure, this funny little fragment of time he would never remember, never think about again…For them it was just after lunch, quarter-past-three on a haphazard afternoon, like any hour, like any day. They did not want to hold it close, imprisoned and secure, as I did. They were not afraid.


Daphne du Maurier


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Did you know about Daphne du Maurier?

' Her stories read like classic tales of terror and suspense but written with a sure touch for character imagery and suggestive meaning. Christian (b. In the summer of 1943 Daphne du Maurier began writing the autobiographically inspired drama The Years Between about the unexpected return of a senior officer thought killed in action who finds that his wife has taken his seat as Member of Parliament and has started a romantic relationship with a local farmer.

eɪ/; 13 May 1907 – 19 April 1989) was an English author and playwright. : /ˈdæfni duː ˈmɒri. Her elder sister was the writer Angela du Maurier.

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