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Borges is particularly stimulating to a man who works in the cinema, because the unusual thing about his writing is that it is like a dream, extraordinarily farsighted in calling up from the unconscious complete images in which the thing itself, and its meaning, coexist - exactly as happens in a film. And, just as happens in dreams, in Borges the incongruous, the absurd, the contradictory, the arcane and the repetitive, although as powerfully imaginative as ever, are at the same time illumined like the careful details of something larger, something unknown, and are the faultless elements of a cruelly perfect, indifferent mosaic. Even the fact that Borges's work is strangely fragmentary makes me think of a broken dreamlike flow; and the heterogeneous quality of his work - stories, essays, poems - I prefer to see not as the union of the multiple threads in a greedy, impatient talent, but as a mysterious sign of unending change.


Federico Fellini


#film #change



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Did you know about Federico Fellini?

Known for a distinct style that blends fantasy and baroque images he is considered one of the most influential filmmakers of the 20th century and is widely revered. What Fellini formerly accepted as "his extrasensory perceptions" were now interpreted as psychic manifestations of the unconscious. Desperately poor they unsuccessfully joined forces to draw sketches of restaurant and café patrons.

Known for a distinct style that blends fantasy and baroque images he is considered one of the most influential filmmakers of the 20th century and is widely revered. He won five Academy Awards becoming the person who won the highest number of Oscars for Best Foreign Language Film in history.

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