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What happened? It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shan’t embark on that. But thinking about this almost incredible episode does tell one something about the nature of civilisation. It shows that however complex and solid it seems, it is actually quite fragile. It can be destroyed. 

What are its enemies?
 
Well, first of all fear — fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next year’s crops. And fear of the supernatural, which means that you daren’t question anything or change anything. The late antique world was full of meaningless rituals, mystery religions, that destroyed self-confidence. And then exhaustion, the feeling of hopelessness which can overtake people even with a high degree of material prosperity. 

There is a poem by the modern Greek poet, Cavafy, in which he imagines the people of an antique town like Alexandria waiting every day for the barbarians to come and sack the city. Finally the barbarians move off somewhere else and the city is saved; but the people are disappointed — it would have been better than nothing. Of course, civilisation requires a modicum of material prosperity—

What civilization needs:

confidence in the society in which one lives, belief in its philosophy, belief in its laws, and confidence in one’s own mental powers. The way in which the stones of the Pont du Gard are laid is not only a triumph of technical skill, but shows a vigorous belief in law and discipline. Vigour, energy, vitality: all the civilisations—or civilising epochs—have had a weight of energy behind them. People sometimes think that civilisation consists in fine sensibilities and good conversations and all that. These can be among the agreeable results of civilisation, but they are not what make a civilisation, and a society can have these amenities and yet be dead and rigid.


Kenneth Clark


#romans #rome #societies #society #change



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In 1946 Clark resigned his directorship in order to devote more time to writing. As Director of the National Gallery he oversaw the successful relocation and storage of the collection to avoid the Blitz and continued a programme of concerts and performances. Early career
A protégé of the most influential art critic of the time Bernard Berenson Clark quickly became the British art establishment's most respected aesthetician.

Kenneth McKenzie Clark Baron Clark OM CH KCB FBA (13 July 1903 – 21 May 1983) was a British author museum director broadcaster and one of the best-known art historians of his generation writing a series of books that appealed to a wide public while remaining serious contributions to scholarship. In 1969 he achieved an international popular presence as the writer producer and presenter of the BBC Television series Civilisation which pioneered a style of television documentary series combining a personalized narration by a leading expert with lavish photography and shooting on location.

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