I was ten when I heard the music that ended the first phase of my life and cast me hurtling into a new horizon. Drenched to the skin, I stood on Dunoon’s pier peering seawards through diagonal rain, looking for the ferry that would take me home. There, on the everwet west coast of Scotland, I heard it: like sonic scalpels, the sounds of electric guitars sliced through the dreich weather. My body hairs pricked up, each one a willing receiver for the Thunder-God grooves. To my young ears, the sound of these amplified guitars was angelic (although, with hindsight, I don’t suppose angels play Gibson guitars at ear-bleeding volume). A voice that suggested vocal chords of polished silver soared alongside razor-sharp overdriven riffs. I knew that I was hearing the future.

— Mark Rice

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