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Now, looking for labels, it is hard to call the Hell's Angels anything but mutants. They are urban outlaws with a rural ethic and a new, improvised style of self-preservation. Their image of themselves derives mainly from Celluloid, from the Western movies and two-fisted TV shows that have taught them most of what they know about the society they live in. Very few read books, and in most cases their formal education ended at fifteen or sixteen. What little they know of history has come from the mass media, beginning with comics ... so if they see themselves in terms of the past, it's because they can't grasp the terms of the present, much less the future. They are the sons of poor men and drifters, losers and the sons of losers. Their backgrounds are overwhelmingly ordinary. As people, they are like millions of other people. But in their collective identity they have a peculiar fascination so obvious that even the press has recognized it, although not without cynicism. In its ritual flirtation with reality the press has viewed the Angels with a mixture of awe, humor and terror -- justified, as always, by a slavish dedication to the public appetite, which most journalists find so puzzling and contemptible that they have long since abandoned the task of understanding it to a handful of poll-takers and "experts.


Hunter S. Thompson


#mutants #poll-takers #the-press #education



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Did you know about Hunter S. Thompson?

Thompson severed his ties with the Observer after his editor refused to print his review of Tom Wolfe's 1965 essay collection The Kandy-Kolored Tangerine-Flake Streamline Baby and he moved to San Francisco immersing himself in the drug and hippie culture that was taking root in the area. invasion of Grenada but would not discuss these experiences until the publication of Kingdom of Fear 20 years later. Do it now: pure Gonzo journalism.

He subsequently joined the United States Air Force before moving into journalism. Hunter Stockton Thompson (July 18 1937 – February 20 2005) was an American author and journalist. The work he remains best known for is Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (1972) a rumination on the failure of the 1960s counterculture movement.

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