Katz had read extensively in popular sociobiology, and his understanding of the depressive personality type and its seemingly perverse persistence in the human gene pool was that depression was successful adaptation to ceaseless pain and hardship. Pessimism, feelings of worthlessness and lack of entitlement, inability to derive satisfaction from pleasure, a tormenting awareness of the world's general crappiness: for Katz Jewish paternal forebears, who'd been driven from shtetl to shtetl by implacable anti-Semites, as for the old Angles and Saxons on his mother's side, who'd labored to grow rye and barley in the poor soils and short summers of northern Europe, feeling bad all the time and expecting the worse had been natural ways of equilibriating themselves with the lousiness of their circumstances. Few things gratified depressives, after all, more than really bad news. This obviously wasn't an optimal way to live, but it had its evolutionary advantages.

It has very little to do with democracy or the will of the people. In recent years Franzen has become recognized for his purveyance of opinions on everything from social networking services such as Twitter ("the ultimate irresponsible medium") and the proliferation of e-books ("just not permanent enough") to the disintegration of Europe ("The people making the decisions in Europe are bankers. The Corrections soon became one of the decade's best-selling works of literary fiction.

His most recent novel Freedom (2010) led to a controversial appearance on the cover of Time magazine alongside the headline "Great American Novelist". Jonathan Earl Franzen (born August 17 1959) is an American novelist and essayist. His 2001 novel The Corrections a sprawling satirical family drama drew widespread critical acclaim earned Franzen a National Book Award was a Pulitzer Prize for Fiction finalist a James Tait Black Memorial Prize and a shortlisting for the International IMPAC Dublin Literary Award.