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I happen to believe that the deepest value of fiction is that, in its very fictiveness, it is the one arena where we can, at least temporarily, take apart and refuse to compete within the terms that the rest of existence insists on. Market value may come to drive out all other human values, except, perhaps, in the country of invented currency, the completely barter-driven economy of the imagination. Fiction, when it remembers its innate priority over other human transactions, can deal not in price but in worth. And that seems to me an act filled with political potential, as well as with pleasure.


Richard Powers


#imagination



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Did you know about Richard Powers?

The first is a fictional story about the three young men in the picture during World War I. The novel explores the themes of cognitive construction of reality and the relationships between memory and emotional bonds between people and some of the tensions between the beneficial and exploitative aspects of a famous doctor's work. " But Deresiewicz also noted that his "is hardly the standard view of Powers's work.

His novel The Echo Maker won the 2006 National Book Award for Fiction.

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