Lacan’s defenders (as well as those of the other authors discussed here) tend to respond to these criticisms by resorting to a strategy that we shall call “neither/nor”: these writings should be evaluated neither as science, nor as philosophy, nor as poetry, nor ... One is then faced with what could be called a “secular mysticism”: mysticism because the discourse aims at producing mental effects that are not purely aesthetic, but without addressing itself to reason; secular because the cultural references (Kant, Hegel, Marx, Freud, mathematics, contemporary literature ... ) have nothing to do with traditional religions and are attractive to the modern reader.

— Alan Sokal

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