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Read through the most famous quotes by topic #ak
If I am ever in the position where I wish to seduce someone I will simply assure her it’s better than rats. ↗
Doctoring her seemed to her as absurd as putting together the pieces of a broken vase. Her heart was broken. Why would they try to cure her with pills and powders? ↗
He held up the AK-47, the muscles in his arm bunching against the weight. “This is an assault rifle.” Then held up the handgun. “This is a semi-automatic pistol.” Then he gave a little thrust of his hips and looked down at his penis. “That is my gun. As you’ve discovered, it’s pumpaction like a shotgun , but it doesn’t fire bullets. ↗
I love you," Jake whispered. "Are you strong enough for this?" I made myself comfortable. Said over my shoulder, "Sure." "Would you tell me if you weren't?" I grinned. "Maybe. I can't think of a nicer way to commit suicide." "That's good. I can't think of a more pleasant way to commit murder. ↗
He's pressing me to his chest. I melt. Oh, this is where I want to be I rest my head against him, and he kisses my hair repeatedly. This is home. He smells of linen, fabric softener, body wash, and my favourite smell - Christian. For a moment, I allow myself the illusion that all will be well, and it soothes my ravaged soul ↗
In a way, what Tarantino has done with the French New Wave and with David Lynch is what Pat Boone did with rhythm and blues: He's found (ingeniously) a way to take what is ragged and distinctive and menacing about their work and homogenize it, churn it until it's smooth and cool and hygienic enough for mass consumption. Reservoir Dogs, for example, with its comically banal lunch chatter, creepily otiose code names, and intrusive soundtrack of campy pop from decades past, is a Lynch movie made commercial, i.e., fast, linear, and with what was idiosyncratically surreal now made fashionably (i.e., "hiply") surreal [...] D. Lynch is an exponentially better filmmaker than Q. Tarantino. For, unlike Tarantino, D. Lynch knows that an act of violence in an American film has, through repetition and desensitization, lost the ability to refer to anything but itself. A better way to put what I just tried to say: Quentin Tarantino is interested in watching somebody's ear getting cut off; David Lynch is interested in the ear. ↗
#david-foster-wallace #david-lynch #film #muzak #quentin-tarantino
You see, because [Norfolk is] stuck out here on the east, on this hump jutting into the sea, it's not on the way to anywhere. People going north and south, they bypass it altogether. For that reason, it's a peaceful corner of England, rather nice. But it's also something of a lost corner.' Someone claimed after the lesson that Miss Emily had said Norfolk was England's 'lost corner' because that was were all the lost property found in the country ended up. Ruth said one evening, looking out at the sunset, that 'when we lost something precious, and we'd looked and looked and still couldn't find it, then we didn't have to be completely heartbroken. We still had that last bit of comfort, thinking one day, when we were grown up, and we were free to travel the country, we could always go and find it again in Norfolk. ↗
Wake up America! The insurance companies took over health care! Wake up America! The pharmaceutical companies took over drug pricing! Wake up America! The speculators took over Wall Street! Wake up America! They want your Social Security! Wake up America! Multinational corporations took over our trade policies! Wake up America! We went into Iraq for oil! WAKE UP AMERICA! ↗
