#era

Few poets better convey the uneasy transition from Victorianism to Modernism than Thomas Hardy. His novels, written between 1870 and 1895, made him not only the recorder of his distinctive region of 'Wessex', but the explorer of the transition of lives and minds from the age of traditional values and religious certainties to the age of godlessness and modern tragedy, a transition sometimes described as 'the clash of the modern'. ↗

— Ronald Carter

#age

The castle? The monster? The man of learning? I only just thought of it. Surely you know that just as the momentous events of the past cast their shadows down the ages, so now, when the sun is drawing toward the dark,our own shadows race into the past to trouble mankind's dreams. ↗

— Gene Wolfe

#age

Shortly before school started, I moved into a studio apartment on a quiet street near the bustle of the downtown in one of the most self-conscious bends of the world. The “Gold Coast” was a neighborhood that stretched five blocks along the lake in a sliver of land just south of Lincoln Park and north of River North. The streets were like fine necklaces and strung together were the brownstone houses and tall condominiums and tiny mansions like pearls, and when the day broke and the sun faded away, their lights burned like jewels shining gaudily in the night. The world’s most elegant bazaar, Michigan Avenue, jutted out from its eastern tip near The Drake Hotel and the timeless blue-green waters of Lake Michigan pressed its shores. The fractious make-up of the people that inhabited it, the flat squareness of its parks and the hint of the lake at the ends of its tree-lined streets squeezed together a domesticated cesspool of age and wealth and standing. It was a place one could readily dress up for an expensive dinner at one of the fashionable restaurants or have a drink miles high in the lounge of the looming John Hancock Building and five minutes later be out walking on the beach with pants cuffed and feet in the cool water at the lake’s edge. ↗

— Daniel Amory

#city #contemporary-fiction #contemporary-literature #downtown #lake

To return to antiquity [in literature]: that has been done. To return to the Middle Ages: that too has been done. Remains the present day. But the ground is shaky: so where can you set the foundations? An answer to this question must be found if one is to produce anything vital and hence lasting. All this disturbs me so much that I no longer like to be spoken to about it. ↗

— Gustave Flaubert

#writers #writing #age

Our physical world seems ready and able to accommodate the needs of the spiritually awakened new Superhuman. The constraints or demands of our material world are not the real problem; it is our own spiritual awareness and philosophical wisdom that is lagging behind. ↗

— Anthon St. Maarten

#awareness #conscious-evolution #future-generations #global-awareness #modern-society

They were both young men under thirty. Art is not so precocious as literature, and does not send quite so many early potatoes into the market, so that the age of thirty is considered young enough for a painter to have learnt his business sufficiently to be marketable from the picture-dealing point of view. ("The Phantom Model") ↗

— Hume Nisbet

#artist #literature #painter #painting #age

The world of shadows and superstition that was Victorian England, so well depicted in this 1871 tale, was unique. While the foundations of so much of our present knowledge of subjects like medicine, public health, electricity, chemistry and agriculture, were being, if not laid, at least mapped out, people could still believe in the existence of devils and demons. And why not? A good ghost story is pure entertainment. It was not until well into the twentieth century that ghost stories began to have a deeper significance and to become allegorical; in fact, to lose their charm. No mental effort is required to read 'The Weird Woman', no seeking for hidden meanings; there are no complexities of plot, no allegory on the state of the world. And so it should be. At what other point in literary history could a man, standing over the body of his fiancee, say such a line as this: 'Speak, hound! Or, by heaven, this night shall witness two murders instead of one!' Those were the days. (introduction to "The Weird Woman") ↗

— Hugh Lamb

#ghost-story #horror #victorian #victorian-age #victorian-era

Time and death: It's the ultimate vision of an artist at the end of everything. It's just what's there. It was not something I planned to do. ↗

— Don DeLillo

#artistic-vision #artists #death #literature #robert-mccrum

There is, after all, no moral difference between the bigot and the tolerator. They are from case to case positive or negative. One man is bigoted because he was given the sword of truth, another because he is angered in thoughtlessness; then, one man is tolerant because he was given the flag of peace, another because he is cowardly and wishes to hide all guilt. ↗

— Criss Jami

#bigotry #cowardice #differentiation #flag #guilt

But I am well aware of the excuse which men, ever ingenious in devising mischief to themselves as well as others, offer in extenuation of their conduct in going to war. They allege, that they are compelled to it; that they are dragged against their will to war. I answer them, deal fairly; pull off the mask; throw away all false colours; consult your own heart, and you will find that anger, ambition, and folly are the compulsory force that has dragged you to war, and not any necessity; unless indeed you call the insatiable cravings of a covetous mind, necessity" ` The Complaint of Peace ↗

— Desiderius Erasmus Roterodamus

#erasmus #war #anger