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The Paradox of Our Age We have taller buildings but shorter tempers; wider freeways but narrower viewpoints; we spend more but have less; we buy more but enjoy it less; we have bigger houses and smaller families; more conveniences, yet less time; we have more degrees but less sense; more knowledge but less judgement; more experts, yet more problems; we have more gadgets but less satisfaction; more medicine, yet less wellness; we take more vitamins but see fewer results. We drink too much; smoke too much; spend too recklessly; laugh too little; drive too fast; get too angry quickly; stay up too late; get up too tired; read too seldom; watch TV too much and pray too seldom. We have multiplied our possessions, but reduced our values; we fly in faster planes to arrive there quicker, to do less and return sooner; we sign more contracts only to realize fewer profits; we talk too much; love too seldom and lie too often. We've learned how to make a living, but not a life; we've added years to life, not life to years. We've been all the way to the moon and back, but have trouble crossing the street to meet the new neighbor. We've conquered outer space, but not inner space; we've done larger things, but not better things; we've cleaned up the air, but polluted the soul; we've split the atom, but not our prejudice; we write more, but learn less; plan more, but accomplish less; we make faster planes, but longer lines; we learned to rush, but not to wait; we have more weapons, but less peace; higher incomes, but lower morals; more parties, but less fun; more food, but less appeasement; more acquaintances, but fewer friends; more effort, but less success. We build more computers to hold more information, to produce more copies than ever, but have less communication; drive smaller cars that have bigger problems; build larger factories that produce less. We've become long on quantity, but short on quality. These are the times of fast foods and slow digestion; tall men, but short character; steep in profits, but shallow relationships. These are times of world peace, but domestic warfare; more leisure and less fun; higher postage, but slower mail; more kinds of food, but less nutrition. These are days of two incomes, but more divorces; these are times of fancier houses, but broken homes. These are days of quick trips, disposable diapers, cartridge living, thow-away morality, one-night stands, overweight bodies and pills that do everything from cheer, to prevent, quiet or kill. It is a time when there is much in the show window and nothing in the stock room. Indeed, these are the times! ↗
#age
I watch as the waves interlace and entwine around one another, free of pattern or routine. They collide and wrestle like oblivious children, naïve to the absence to naïvety. Careless to the absence of carelessness. And I know what I want. I want to play, I want to live, I want to breathe. I want to experience the basic human lust for life itself. I want to bask in the imperfections of nature, bathe in the elaborate simplicity of our tiny world, relish in the beauty of culture, art and love. I know what I want, but the essence of need is another question entirely. ↗
(The Mona Lisa), that really is the ugliest portrait I’ve seen, the only thing that supposedly makes it famous is the mystery behind it,” Katherine admitted as she remembered her trips to the Louvre and how she shook her head at the poor tourists crowding around to see a jaundiced, eyebrow-less lady that reminded her of tight-lipped Washington on the dollar bill. Surely, they could have chosen a better portrait of the First President for their currency? ↗
Our deeds determine us, as much as we determine our deeds; and until we know what has been or will be the peculiar combination of outward with inward facts, which constitutes a man's critical actions, it will be better not to think ourselves wise about his character. There is a terrible coercion in our deeds wihich may first turn the honest man into a deceiver, and then reconcile him to the change; for this reason -- that the second wrong presents itself to him in the guise of the only practicable right. The action which before commission has been seen with that blended common-sense and fresh untarnished feeling which is the healthy eye of the soul, is looked at afterwards with the lens of apologetic ingenuity, through which all things that men call beautiful and ugly are seen to be made up of textures very much alike. - Adam Bede p. 359 ↗
Can't stay long, Mother," he said. "I'm up front, the prefects have got two compartments to themselves-" "Oh, are you a prefect, Percy?" said one of the twins, with an air of great surprise. "You should have said something, we had no idea." "Hang on, I think I remember him saying something about it," said the other twin. "Once-" "Or twice-" "A minute-" "All summer-" "Oh, shut up," said Percy the Prefect. ↗
Galen Werner, you may choose one of my daughters to be your bride, and when I die, you shall sit beside her as co-ruler of Westfallin." "Your Majesty.... I - I don't know - " Rose felt her knees shaking. Did he not love her after all? "Psst, Galen?" Pansy tugged on his arm. Galen leaned down. "If Rose doesn't want you," the little girl whispered loudly, "you can marry me." Galen laughed shakily. "Thanks, Pansy." "Oh, Rose! Don't just stand there like a lump," Poppy said, poking her in the back. "If he's too embarrased, you should be the one to say something." "Poppy!" Daisy looked scandalized. "It's not Rose's place to - " Under cover of their squabbling, Rose took Galen's hand and moved closer to him. "Do you want to marry me?" she whispered in a much quieter tone than Pansy had used. "Yes," he said. "If neither of you is going to speak up," King Gregor said, "I shall simply have to decide it for myself!" "Father," Rose protested, "that won't be necessary!" "I choose Rose," Galen blurted out at the same time. "There. Done. Easy." King Gregor clapped his hands. ↗
Somehow, someway, you get kind of labeled this guy who was in a Freddie Prinze Jr. movie too many. And Freddie Prinze Jr. - it's not his fault, either - it's just these are the things that happen. I'm not a George Clooney; I don't have a ton of opportunities. ↗
I love comedy and I would write things to myself as an exercise in writing. I didn't do well for years, and I quit. I started to break down why I was afraid and started to look at people I admired, like Richard Pryor, Eddie Murphy, Freddie Prinze, George Carlin and all. ↗
