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His OFELLUS in the Art of Living in London, I have heard him relate, was an Irish painter, whom he knew at Birmingham, and who had practiced his own precepts of economy for several years in the British capital. He assured Johnson, who, I suppose, was then meditating to try his fortune in London, but was apprehensive of the expence, 'that thirty pounds a year was enough to enable a man to live there without being contemptible. He allowed ten pounds for cloaths and linen. He said a man might live in a garret at eighteen-pence a week; few people would inquire where he lodged; and if they did, it was easy to say, "Sir, I am to be found at such a place." By spending three-pence in a coffee-house, he might be for some hours every day in very good company; he might dine for six-pence, breakfast on bread and milk for a penny, and do without supper. On clean-shirt day he went abroad, and paid visits. ↗
There was no control except the "mood of his power... and it is for this reason it is good you never heard him play someplace where the weather for instance could change the next series of notes-- then you should never have heard him at all. He was never recorded. He stayed away while others moved into wax history, electronic history, those who said later that Boldon broke the path. It was just as important to watch him stretch and wheel around the last notes or to watch nerves jumping under the sweat of his head. ↗
