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Rudolf Arnheim

Read through the most famous quotes from Rudolf Arnheim




Now equilibrium is the very opposite of disorder.


— Rudolf Arnheim


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Order is a necessary condition for anything the human mind is to understand.


— Rudolf Arnheim


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The absurd consequences of neglecting structure but using the concept of order just the same are evident if one examines the present terminology of information theory.


— Rudolf Arnheim


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The arts, as a reflection of human existence at its highest, have always and spontaneously lived up to this demand of plenitude. No mature style of art in any culture has ever been simple.


— Rudolf Arnheim


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The line that describes the beautiful is elliptical. It has simplicity and constant change. It cannot be described by a compass, and it changes direction at every one of its points.


— Rudolf Arnheim


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Today we no longer regard the universe as the cause of our own undeserved troubles but perhaps, on the contrary, as the last refuge from the mismanagement of our earthly affairs.


— Rudolf Arnheim


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Variety is more than a means of avoiding boredom, since art is more than an entertainment of the senses.


— Rudolf Arnheim


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About Rudolf Arnheim

Rudolf Arnheim Quotes




Did you know about Rudolf Arnheim?

" Arnheim moved to England in 1939 where he took on a position as a radio translator with BBC Radio in which as a person was speaking he translated from German to English and vice versa. ISBN 978-0-520-20478-2. He himself said that his major books are Art and Visual Perception: A Psychology of the Creative Eye (1954) Visual Thinking (1969) and The Power of the Center: A Study of Composition in the Visual Arts (1982) but it is Art and Visual Perception for which he was most widely known.

[according to whom?]. Revised enlarged and publiRudolf Arnheimd as a New Version in 1974 it has been translated into 14 languages and is very likely one of the most widely read and influential art books of the twentieth century. Rudolf Arnheim (July 15 1904 – June 9 2007) was a German-born author art and film theorist and perceptual psychologist.

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