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Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle.


Haruki Murakami


#imagery #music #records #beauty



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Did you know about Haruki Murakami?

Since 2000
Sputnik Sweetheart was first publiHaruki Murakamid in 1999 followed by Kafka on the Shore in 2002 with the English translation following in 2005. Murakami said "Each of us possesses a tangible living soul. It was chosen by the New York Times as a "notable book of the year".

He is considered an important figure in postmodern literature. Murakami's fiction often criticized by Japan's literary establishment is humorous and surreal focusing on themes of alienation and loneliness.

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