An oceanic expanse of pre-dawn gray white below obscures a checkered grid of Saskatchewan, a snow plain nicked by the dark, unruly lines of woody swales. One might imagine that little is to be seen from a plane at night, but above the clouds the Milky Way is a dense, blazing arch. A full moon often lights the planet freshly, and patterns of human culture, artificially lit, are striking in ways not visible in daylight. One evening I saw the distinctive glows of cities around Delhi diffused like spiral galaxies in a continuous deck of stratus clouds far below us. In Algeria and on the Asian steppes, wind-whipped pennants of gas flared. The jungle burned in incandescent spots in Malaysia and Brazil. One clear evening at 20,000 feet over Manhattan, I could see, it seemed, every streetlight halfway to the end of Long Island. A summer lightning bolt unexpectedly revealed thousands of bright dots on the ink-black veld of the northern Transvaal: sheep.

Lopez along with Peter Matthiessen Terry Tempest Williams and James Galvin was hailed in Mark Tredinnick's The Land's Wild Music (Trinity University Press 2005) in which Tredinnick analyzed how the landscape nouriBarry Lopezd and developed Lopez's writing. Awards
National Book Award
Award in Literature American Academy of Arts and Letters
Lannan Literary Award
Guggenheim Fellowship
John Burroughs Medal
John Hay Medal
Three Pacific Northwest Booksellers Awards
Two Oregon Book Awards
Two Pushcart Prizes
Two Christopher Medals
PEN Syndicated Fiction Award
Five National Science Foundation Antarctica Fellowships
Lannan Residency Fellowship
MacDowell Residency Fellowship
Academy of Television Arts and Sciences Award
Oregon Governor's Award
Elected Fellow of the Explorer's Club. He regularly collaborates with other artists and writers and is active in national and international efforts toward reconciliation.

He won the National Book Award for Nonfiction for Arctic Dreams (1986) and his Of Wolves and Men (1978) was a National Book Award finalist.